| Title | GAMEDAYPLUS |
| Brand | ADIDAS |
| Product/Service | ADIDAS FOOTBALL |
| Category |
B01. Use of Social Platforms |
|
Entrant Company
|
WE ARE SOCIAL London, UNITED KINGDOM
|
|
Advertising Agency
|
WE ARE SOCIAL London, UNITED KINGDOM
|
|
Media Agency
|
CARAT London, UNITED KINGDOM
|
Credits
| Aisling Mccarthy |
We Are Social |
Group Account Director |
| Joe Weston |
We Are Social |
Account Director |
| Gareth Leeding |
We Are Social |
Creative Content Director |
| Danny Bell |
We Are Social |
Executive Producer |
| John Crozier |
We Are Social |
Senior Account Manager |
| Daniele Santoro |
We Are Social |
Senior Account Executive |
| Jo Lumb |
We Are Social |
Producer |
| Robert Rafalat |
We Are Social |
Editor |
| James Harrison |
We Are Social |
Designer/Photographer |
| Jack Greenwood |
We Are Social |
Designer |
| Roman Kemp |
We Are Social |
Presenter |
| Layla Anna-lee |
We Are Social |
Presenter |
| Robert Hughes |
Adidas Football Global |
Pr/Social Director |
| Alan Mcgarrie |
Adidas Football Global |
Senior Pr Manager |
| Daniel Bulteel |
Adidas Football Global |
Senior Social Manager |
| Marc Makowski |
Adidas Football Global |
Global Sports Marketing/Asset Director Uefa |
Brief Explanation
adidas’ target age group were being underserviced by football content online and on TV. We knew that 27% of all YouTube viewing time is sport, there was an appetite for this content online. There was an opportunity for adidas to create its own stories and use them to entertain fans and build its brand. This was an opportunity to lead the way in engaging with the community in a premium way.
So, adidas would deliver a globally relevant Champions League show that would show the brand off as the lead sponsor of the tournament and deliver key product/brand messages.
Results and Effectiveness
GamedayPlus has became an anticipated part of millennials’ UEFA Champions League viewing habits. With the first series it scored over 12m YouTube views, of which 87% were organic. It went global on Weibo scoring over 2 million shares.
Our influencer activation with the SkillTwins achieved a further 4 million views on their owned channels.
There have been over 33,000 comments on the Gamedayplus YouTube videos.
adidas had the largest share of voice of all UEFA Champions League sponsors with 58%.
It’s not just new. It’s defining the age of the brand as a broadcaster.
Creative Execution
One fill Gamedayplus episode was produced per game week, consisting of at least four segments, one native YouTube comments-based competition and links to adidas product pages. In total there were 16 episodes, 74 segments including one special for the launch of the new adidas X and Ace boots.
Subtitles for the show were translated into 19 languages including Chinese, Russian and Brazilian Portuguese, to ensure a globally relevant show was delivered.
Each episode was supported with trailers - 30 second edits for YouTube that were also provided as native uploads to Twitter and Facebook platforms.
Insights, Strategy and the Idea
Our millennial target audience is hungry for content and consumes media in a new way – they don’t just watch their football content on TV, they use games consoles, tablets, mobiles and desktop.
With GamdayPlus we created an appointment to view – a time where people would know that new content was coming and understand that adidas was the first place to get Champions League football that week. Research informed the launch time; instead of going out on the day of the games, content would be pushed out the evening before the first fixtures.