2015 Promo & Activation

SLIDE, AMAZING IN MOTION

Short List
TitleSLIDE, AMAZING IN MOTION
BrandLEXUS INTERNATIONAL
Product/ServiceLEXUS INTERNATIONAL
Category C02. Cars & Automotive Services
Entrant Company CHI & PARTNERS London, UNITED KINGDOM
Advertising Agency CHI & PARTNERS London, UNITED KINGDOM
Production Company SMUGGLER London, UNITED KINGDOM
Production Company 2 MARSHALL STREET EDITORS London, UNITED KINGDOM
Credits
Name Company Position
Jonathan Burley CHI & PARTNERS Executive Creative Director
Monty Verdi CHI & PARTNERS Creative Director
Brad Woolf/Dan Bailey CHI & PARTNERS Creative(s)
Zoe Barlow CHI & PARTNERS Agency Executive Producer
Chad Warner/Ben da Costa CHI & PARTNERS Digital/Content Creative(s)
Nikki Cramphorn/Nicola Ridley/Matt Cresswell CHI & PARTNERS Agency Producer(s)
Karina Aloupi CHI & PARTNERS Content Producer
Nick Howarth CHI & PARTNERS CEO
Jack Shute CHI & PARTNERS Business Director
Catherine Peacock CHI & PARTNERS Account Director
Nita Rushi CHI & PARTNERS PR Director
Ben Hanson/Simon Frost Carbon Content Director(s)
Nazneen Hosenie Carbon Content Producer
Bill McNamara MPC VFX Supervisor
Spencer Ferszt Marshall Street Editors Editor
Henry-Alex Rubin Smuggler Director
Fergus Brown/Chris Barrett Smuggler Executive Producer
Ray Leakey Smuggler Production Company
Atsushi Takada/David Nordstrom/Yolande Waldock Lexus International Global Brand Team

The Brief

The brief was simple. Showcase the imagination, creativity and innovation at the heart of the Lexus brand. The difficulty came in telling that story to an audience of global influencers who didn’t care and weren’t listening. To reach them we needed to create a project with genuine social currency that would grab their attention and drive reappraisal of what they thought they knew about Lexus. With little or no media budget, the campaign needed to create its own awareness and earn, not buy, its visibility.

Campaign Success

The project was inspired by the words of Lexus Chief Engineer Haruhiko Tanahashi – “There is no such thing as impossible, it’s just a matter of figuring out how”. This spirit of determination, combined with Lexus’ passion for design and innovation, led to the Hoverboard project. The project was designed to be digitally contagious from the beginning. This included: A teaser campaign to build anticipation, leaving everyone asking – ‘can it be real?’ A media day, where 16 media outlets from across the world got to try the Lexus Hoverboard for themselves and interview key spokespeople. A two-minute film on YouTube, showing viewers for the very first time that the Lexus Hoverboard is real and yes, someone can really ride it. A series of content films, including a long-form documentary and niche targeted follow-up pieces to the tech and skating verticals online, all multi-formatted for YouTube, Facebook, Twitter, Instagram and Vine.

Describe the success of the promotion with both client and consumer including some quantifiable results

In 24 hours, the campaign drove more than 100million+ impressions, generated over 11million+ views and #LexusHover was trending on Twitter and Facebook. Mainstream media from BBC, CNN, USA Today, ABC World News published editorial on the campaign, and CNBC live-broadcast an interview with a marketing expert on their channel, heralding the tease film a “marketing slam-dunk by Lexus”. When the full campaign broke, Reuters, Huffington Post, BBC, Wired, Bloomberg, Forbes, Wall Street Journal, E!Online, TMZ, Fox News and many more, all wrote and tweeted about the campaign. Fast Company even released a filmed interview with two of their tech editors questioning if you are a Lexus competitor what do you do next? In total, the campaign has generated over US$56milllion in equivalent media value, driven more than 33+million views worldwide and over 1.7billion impressions. 40% of web traffic driven to the Lexus site was Hoverboard related activity. ?

Explain why the method of promotion was most relevant to the product or service

The key to the success of the Lexus Hoverboard was that it was an act, not an ad. Designing and building a real custom Hoverboard and ‘Hoverpark’ provided the location for the live demonstration in front of the world’s press that ultimately fuelled the coverage and conversation that meant the vast reach of the project was earned, not bought.