| Title | ANATOMY OF PANCTURE |
| Brand | BRIDGESTONE |
| Product/Service | BRIDGESTONE TYRES |
| Category |
A03. Video / Moving Image |
|
Entrant
|
J. WALTER THOMPSON AMSTERDAM, THE NETHERLANDS
|
|
Idea Creation
|
J. WALTER THOMPSON AMSTERDAM, THE NETHERLANDS
|
|
Production
|
BANG London, UNITED KINGDOM
|
Credits
| Ian Thomas |
JWT International |
Executive Creative Director |
| Jeremy MacWilliams |
Bang TV |
Executive Producer |
| Daniell van Berkel |
JWT International |
Head of TV |
| Brian Williams |
Bang TV |
Film Director |
The Campaign
The online “Anatomy of a Puncture” has been developed to demonstrate and inform people about the hazards their tyres face every day on the roads. The engineering and precision needed to combat these hazards like nails, kerbs and glass. The film shows, with the use of high speed cinematography and graphics, show in stark reality the life of a tyre, and the importance of fitting tyres that not only safeguard you, but allow you to carry on driving after a dangerous encounter even if your tyres get a puncture.
Creative Execution
VIDEO / MOVING IMAGE
The Alpine location and drone shot set the scene.
Digitally added rain and an almost monochromatic look add to the drama.Time very nearly stands still in an extraordinary “flo-mo” sequence of the speeding car. Inside the tyre we see the actual puncture in slow motion.
Each of the three hazards were filmed for real and had to allow different names to be added digitally to them for the six European language variants. The three slow-motion punctures had their own animated particles and debris.
Facts and data were tailored for each country and Bridgestone’s extensive research into punctures is subtly illustrated with layers of motion graphic typography in six languages.
At the peak of the drama, the moment of the puncture, layers upon layer of stills and animated droplets make up the “flo-mo” sequence where time almost stands still.
Each of the three hazards (nail, glass bottle and concrete kerb) had the different names for the six different territories added in post, outside and inside the tyre.
A welcoming small village was added to the foothills of the striking mountain landscape at the end.
Each country has its own animated set of puncture facts. Bridgestone’s extensive research into punctures is subtly illustrated with layers of motion graphics in typography designed to be reminiscent of tyre treads. The animation between the segments hint at road warning signs.
Award-winning features and TV composer Ray Harman was enlisted to create a dramatic cinematic score. It immediately sets up the stark isolation of the location. The unsettling theme of strings builds the tension of the impending puncture to an ominous crescendo when the puncture happens.