| Maciej Waligóra |
DDB&tribal |
Executive Creative Director |
| Zuzanna Duchniewska-Sobczak |
DDB&tribal |
Executive Creative Director |
| Filip Berendt |
DDB&tribal |
Digital Creative Director |
| Kasper Bajon |
DDB&tribal |
Copywriter |
| Kasia Seyfried |
DDB&tribal |
Head of creative solutions |
| Kasia Wac |
DDB&tribal |
Account Manager |
| Bartosz Dombrowski |
Papaya Films |
Director |
| Kuba Kijowski |
High Spot |
DOP |
| Mateusz Romaszkan |
Mateusz Romaszkan |
Editing |
| Atanas Valkov |
Atanas Valkov |
Music |
| Błażej Kafarski |
Głośno |
Sound Design |
| Sylwia Skrzypek |
Rio de post |
Post Production |
| Ania Stylińska |
Freelance |
Production Manager |
| Ania Alboth |
The Family Without Borders |
Casting | refugees |
| Patricia Lewandowska |
Freelance |
Camera Operator |
| Magda Górfińska |
Freelance |
Camera Operator |
| Casey Cambell |
Freelance |
Camera Operator |
| Nick Dietz |
Freelance |
1st Camera Assistant & Focus Puller |
| Katharina Hauke |
Freelance |
Assistant & Focus Puller |
| Yuri Salvador |
Freelance |
Assistant & Focus Puller |
| Konrad Pruski |
Freelance |
Gaffer |
| Haman Wawrzyniec |
Freelance |
Digitalization |
| Martin Hecht |
Freelance |
DIT |
| Konrad Serowiecki |
Freelance |
Sound Engineer |
| Katarzyna Orzechowska |
Freelance |
Editing |
| Cinegate Berlin, Ewerk, Dreamsound, Cut Cut, Central Park Berlin |
Cinegate Berlin, Ewerk, Dreamsound, Cut Cut, Central Park Berlin |
Partners |
| Hanna Waśko |
Big Picture |
Managing Director |
| Magda Oleś |
Big Picture |
Junior PR Consultant |
| Draginja Nadaždin | Aleksandra Górecka | Grzegorz Żukowski | Natalia Węgrzyn | Marek Pekalski |
Amnesty International Poland |
Client |
The starting point was a prominent experiment by Arthur Aron, who proved that four minutes of eye contact brings people closer to each other better than anything else. Using this discovery, we decided to carry out a simple experiment, during which refugees and Europeans sat opposite each other and looked into each other's eyes. Clearly, it is most important to give each other time to better understand and get to know each other. The experiment was conducted in Berlin: the city, which is a symbol of overcoming the divisions. We wanted the movie created on the basis of the experiment to be as symbolic as possible – and to touch upon the general divisions between people. The situations were not prearranged; natural, spontaneous reactions became the key. The people sitting across from each other had never met before; they set eyes on each other for the very first time during.