CHANNEL 4 PARALYMPICS, WE'RE THE SUPERHUMANS
| Title | CHANNEL 4 PARALYMPICS, WE'RE THE SUPERHUMANS |
| Brand | CHANNEL 4 |
| Product/Service | THE PARALYMPIC GAMES |
| Category |
A11. Visual Effects |
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Entrant
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MPC CCREATIVE London, UNITED KINGDOM
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Idea Creation
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4creative London, UNITED KINGDOM
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Production
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MPC CCREATIVE London, UNITED KINGDOM
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Production 2
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BLINK PRODUCTIONS London, UNITED KINGDOM
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Additional Company
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FACTORY London, UNITED KINGDOM
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Credits
| Dougal Wilson |
Blink |
Director |
| Chris Bovill & John Allison |
4Creative |
Heads of 4Creative |
| Alice Tonge |
4Creative |
Creative Director |
| Shananne Lane |
Blink |
Agency Producer |
| Ewen Brown |
Blink |
Production Company Producer |
| Dan Landin |
Lux Artists |
DoP |
| Joe Guest |
Final Cut |
Editor |
| Julie Evans |
MPC |
VFX Executive Producer |
| Hannah Ruddleston |
MPC |
VFX Producer |
| Tom Harding |
MPC |
VFX Supervisor |
| Graeme Turnbull |
MPC |
3D VFX Supervisor |
| Tom Harding & Bill McNamara |
MPC |
Shoot Supervisors |
| Russell Ford & Deepanjali Singh |
MPC |
Line Producers |
| Jean-Clément Soret |
MPC |
Colourist |
Brief Explanation
This film sees the launch of Channel 4’s campaign to support the channel’s coverage of the 2016 Paralympic Games. Following the 2012 multi-award winning ‘Meet The Superhumans’ campaign, the new inspirational work ‘We’re The Superhumans’ sees a host of international Paralympic athletes excelling in their respective sports, along with members of the public and musicians excelling in their own passions; demonstrating their unique abilities.
The three-minute film incorporates intricate VFX across 144 shots, including extensive crowd replication, 21 stadium shots and the creation of the new Rio stadium in CG.