|Category||B04. Use of Ambient Media: Large Scale|
|Entrant||TOURISM IRELAND Redmonds Hill, IRELAND|
|Idea Creation||PUBLICIS LONDON, UNITED KINGDOM|
|Media Placement||CARAT London, UNITED KINGDOM|
|Production||SPACE66 London, UNITED KINGDOM|
|Dave Monk||Publicis||Executive Creative Director (London)|
|Dave Sullivan||Publicis||Creative Director|
|Josh Norbury||Publicis||Copywriter & Art Director|
|Ben McKee||Publicis||Account Director|
|Katie Edwards||Publicis||Business Director|
|Kathryn Mason||Publicis||Account Manager|
|Kal Parma||Publicis||Agency Producer|
|Jelly Kitchen||Jelly Kitchen||Illustrator|
|Space66||Production & Post Production Company||Production & Post|
|Ben Loach||Ben Loach||Editor|
|Radd Nadesananthan||Publicis||Social Planner|
|Duncan Rogeres||Publicis London||Designer|
|Brian Twomey||Tourism Ireland||Head of Marketing Communications|
|Mark Henry||Tourism Ireland||Central Marketing Director|
The CampaignWe decided to explore the rich heritage of textiles and linen manufacture in Northern Ireland and create Northern Ireland’s own ode to Game of Thrones, capturing every episode from the opening of Season 1 all the way through to Night King’s assault on The Wall at the end of Season 7, in an 80m+ long medieval tapestry. Made of Irish linen, the Game of Thrones tapestry was illustrated, hand-woven and hand-embroidered each week in reaction to that week’s episode of the show, meaning that we were able to give fans a unique way of catching up on the previous week’s drama before the next episode aired.
Creative ExecutionEvery section of the tapestry was installed in the Ulster Museum, Belfast - giving fans a new iconic GOT experience to visit as soon as they land in the city. And visit they did, with more than 20,000 visitors to the installation in the first 6 weeks, with a further 62% of visits since being specifically to see the tapestry. Through the art of storytelling, and the resurrection of a dying craft, we created a brand new tourist attraction, and a permanent fixture in Northern Ireland’s culture.
Results40,000 visitors to the installation to date. So far this has resulted in 3.5 million engagements and 500,000 hotspot engagements on Ireland.com, plus 32.7 million video views and a 17.9% completion rate of our social content. So, with a growing reach figure of 344,102,909 from online publicity, and earned advertising value of €16,681,354 for a campaign spend of only €268,364, the tapestry has achieved even more than we anticipated; building on the success of 2016, driving brand awareness, and ultimately increasing visitor numbers to Northern Ireland.
Last year’s campaign taught us just how vociferously Game of Thrones fans consume content online. We needed to give fans GoT content they actively wanted to explore that also tied itself intrinsically to the country in which it was filmed. However, with a number of smaller filming locations reaching a capacity of visitors it was able to accommodate, we needed to drive awareness of Northern Ireland as a whole. Following the installation of The Game of Thrones Tapestry exhibition at the Ulster Museum in Belfast, it has already received over 40,000 incremental visitors to date.
Our challenge was to bring the tapestry to life not just in person, but online as-well. We created an experience on Ireland.com which allowed visitors to scroll through, and zoom – in on a high-resolution scan of the tapestry, including hotspots referring to the show’s iconic filming locations in Northern Ireland. GOT fans were encouraged to explore the tapestry in more depth, and discover the places where the action took place, effectively turning fans of the show into fans of Northern Ireland.
Ice Skaters shows the dreamy and slightly surreal spectacle of a middle aged couple spinning and gliding on the polished wood floors of an elegant, high-ceilinged apartment in their socks. With the tagline 'Bring life into your living room' it is a beautifully crafted advert creating a warm, nostalgic mood for the brand, Ikea. It won Bronze at Eurobest in 2018 for production company CZAR Brussels. Director, Joe Vanhoutteghem and producer, Lander Engels talk to Eurobest about the experience of creating the work.
The team at Marvelous Moscow have the answer. CCO, Artem Sinyavskiy shares the story of how their work for Skylink, 'The 1 MB Campaign', went on to win Bronze at Eurobest in 2017, despite the media budget being pulled a week before the launch of the campaign.
PS21 Madrid, the creative transformation company set up by founder of creative agency dommo Agustín Vivancos, was in its first year when the team began work on Searching for the Special Colour of Seville. It was a piece of work that would not only go on to win the agency’s first major award, Bronze in Creative Data at Eurobest in 2018, but would also become part of Seville’s cultural heritage. We hear how the idea came to life from Strategy Director, Sergio Garcia and Executive Creative Director, Victor Blanco.