MAN ON THE MOON

Creative Effectiveness Award

Case Film

Presentation Image

TitleMAN ON THE MOON
BrandJOHN LEWIS
Product/ServiceDEPARTMENT STORE
Category A04. Creative Longer-Term Effectiveness
Entrant adam&eveDDB London, UNITED KINGDOM
Idea Creation adam&eveDDB London, UNITED KINGDOM
Media Placement MANNING GOTTLIEB OMD London, UNITED KINGDOM
Production SOMESUCH London, UNITED KINGDOM
Production 2 TRIM EDITING London, UNITED KINGDOM
Production 3 THE MILL London, UNITED KINGDOM
Production 4 LELAND MUSIC London, UNITED KINGDOM
Credits
Name Company Position
Ben Priest adam&eveDDB Group Chief Creative Officer
Ben Tollett adam&eveDDB Group Executive Creative Director
Richard Brim adam&eveDDB Chief Creative Officer
Miles Carter adam&eveDDB Creative
Sophie Knox adam&eveDDB Creative
Till Diestel adam&eveDDB Interactive Creative Director
David Golding adam&eveDDB Group Chief Strategy Officer
Tammy Einav adam&eveDDB Joint CEO
Miranda Hipwell adam&eveDDB Business Director
Caroline Grayson adam&eveDDB Account Director
Lucie Georgeson adam&eveDDB Agency Producer
Brittany Littlewood adam&eveDDB Agency assistant producer
Kim Gehrig Somesuch Director
Tim Nash Somesuch Executive Producer
Lee Groombridge Somesuch Producer
Andre Chemetoff Somesuch Cinematographer
Tom Lindsay Trim Editor
Hitesh Patel The Mill VFX shoot Supervisor
Jonathan Westley The Mill VFX shoot Supervisor and lead 2D artist
Mike Chapman The Mill Lead 3D Artist
Aurelien Ronceray The Mill Lead Digital Matte Painter
James Bamford The Mill Colourist
Joe Tang, Olivia O’Neil, Grant Connor The Mill 2D Team
Christos Parliaros, Ivor Griffin, Adam Dewhirst, Tom Hales, Ciaron Moloney, Finl The Mill 3D Team
JiYoung Lee and German Casado The Mill Digital Matte painting Team
James Pratt The Mill Smoke artist
Gemma Humphries, George Reid The Mill Production Team
Abi Leland and Ed Bailie Leland Music Music Supervisors

Brief Explanation

This case shows how to create fame, and the extraordinary financial returns it can bring. Over the years, John Lewis have become famous for their feel-good Christmas advertising. This paper shows how, from 2013 to 2015, a series of remarkable Christmas ads transformed John Lewis’s fortunes, culminating in “Man on the Moon”. These were the most watched, loved and talked-about Christmas campaigns in Britain. Each new ad was hotly anticipated. The Daily Telegraph ran a Countdown Clock to the launch of “Man on the Moon” Each trended no. 1 globally on Twitter within minutes of launch. There were 3,643 articles in the press, delivering over 380 million free exposures. John Lewis was voted Most Talked About Retailer in Britain every year, and one of the most talked about brands in any category. The ads were shared millions of times online, reducing our cost per exposure, with “Man on the Moon” becoming the most shared UK Christmas ad of all time. The ads were regularly voted Best Christmas Campaign in public and industry polls. The songs from the ads were all hits, topping both the sales and Shazam charts. Our fame was such that suppliers, charities and budding film-makers making parodies were all keen to jump on the bandwagon, giving us extra exposure at zero cost. The ads were watched over 2 billion times in the UK alone. We got higher ad awareness than any other UK retailer. Traffic to the John Lewis website increased 63%. Footfall to John Lewis stores increased 55% John Lewis recruited record numbers of customers, who visited more often and spent more. Sales increased 21% and market share hit an all-time high The ads increased profits by over £160m. Over the three years, every £1 spent on advertising generated over £8 of extra profit for John Lewis, one of the highest ROIs in the history of Cannes Creative Effectiveness. “Man on the Moon” was the most effective and profitable campaign of them all, with an ROI of over 10 to 1.