THE BEST IN YOU

TitleTHE BEST IN YOU
BrandWEHKAMP
Product/ServiceWEHKAMP BRING IT ON
Category E05. Use of Licenced or Adapted Music for a Brand or Campaign
Entrant ACHTUNG!mcgarrybowen Amsterdam, THE NETHERLANDS
Idea Creation ACHTUNG!mcgarrybowen Amsterdam, THE NETHERLANDS
Media Placement VIZEUM Amsterdam, THE NETHERLANDS
Production SIZZER AMSTERDAM, THE NETHERLANDS
Production 2 CAKE FILMS Amsterdam, THE NETHERLANDS
Production 3 HALAL Amsterdam, THE NETHERLANDS
Additional Company EAST INDY Amsterdam, THE NETHERLANDS
Additional Company 2 STORM POST PRODUCTION Amsterdam, THE NETHERLANDS
Additional Company 3 DE GROT Amsterdam, THE NETHERLANDS
Additional Company 4 SOUNDCIRCUS Amsterdam, THE NETHERLANDS
Credits
Name Company Position
Mark Muller ACHTUNG! mcgarrybowen Executive Creative Director
Kika Douglas ACHTUNG! mcgarrybowen Creative Director
Sam Souen ACHTUNG! mcgarrybowen Creative Director
Hilda Hiemstra Wehkamp Wehkamp Team Lead Concepting & Creation
Boris Nihom ACHTUNG! mcgarrybowen Lead Strategist
Nine de Knecht ACHTUNG! mcgarrybowen Strategist
Lieke de Klein ACHTUNG! mcgarrybowen Account Manager
Annabelle Klop ACHTUNG! mcgarrybowen Account Manager
Nikki Haighton ACHTUNG! mcgarrybowen Agency Producer
Souraya El-Far ACHTUNG! mcgarrybowen Agency Producer
Christian Mezofi ACHTUNG! mcgarrybowen Designer
Miles Salé ACHTUNG! mcgarrybowen Designer
Luna Morgenstern Sizzer Music
Dolf Bekker Sizzer Music
Jo Sandow Sizzer Music
Sepple Kretz Sizzer Music
Tom Driessen Sizzer Music
Michiel Marsman Sizzer Music
Nina Aaldering Cake Film Director
Anne van Kuijk Cake Film Producer
Amber Hooijmans Cake Film Editor
Douwe Hennink Freelance Director Of Photography
Myrthe Beltman Freelance Art Director
Francine van der Lee HALAL Producer
Lotte van Raalte HALAL Photographer
Richard Schreefel Freelance Styling
Evert Bronkhorst Vizeum Netherlands Strategist
Marcia Bruns Vizeum Netherlands Account Manager

Why is this work relevant for Entertainment?

We adapted a well-known, musical ode to women, specifically to connect with a new brand message and its audience. We with a female music composer and female singers to reinterpret Billy Joel's classic song "Always a woman". The piece was originally created by Joel to defend his wife from the harsh critics received from the music industry which at the time was reluctant to welcome a fierce businesswoman into its network. This song re-written by women seemed like a perfect hymn of self-love.

Background

We approached the music production in a completely fresh way to support the transformation of the brand. Wehkamp wants to modernize but also to be known as a company that represents and supports women at every moment of their life. Through a modern production, our goal was to bring energy and a feeling of empowerment to the Billy Joel classic, giving both Wehkamp and their target audience a relatable, catchy and uplifting soundtrack. With a deeper message of support to every definition of femininity and sisterhood.

Describe the creative idea

The film is an ode to femininity and shows different women from the ages of 15 to 60+ in different key moments of their life, bringing out the best version of themselves. In the film, we see them in real, raw and honest moments. The film’s narrative is guided by the classic song “She’s Always A Woman” by Billy Joel, but where Joel’s version is an earnest love song for his beloved, this new version is empowering, sung by women, for women. Each line is sung by a different vocalist who consequently represents each individual woman - from a young girl, to an older lady. To strengthen the brand message, it was imperative to our version that we emphasize and give voice to each of these women in a real, authentic and characterful way.

Describe the strategy

The challenge musically was to transform a male-to-female classic love song to an empowering tribute to women in the form of an energetic, modern pop song that encompasses the campaign’s story and emotion. Upkeeping the familiarity of the original, while granting it a new message.

Describe the execution

We created first a 60’ track for the film. Due to the amount of requests on Youtube and other social networks for a full downloadable track we are now finishing a full length version of the song that will be released on Spotify in the next week.

Describe the outcome

The biggest compliment we got was being asked by numerous people to release the song as it was used in the campaign, after publishing the TVC on YouTube. People were asking in the comments to release the song A few comments: ‘Please release this cover!’, ‘I need this song in my Spotify playlist!’, ‘Anyone knows where to find this song, I really love this version!’ Then the song was then listened to on Sportify 73,623 times and added to multiple playlists