Title | #ENDVIOLENCE |
Brand | UNICEF DEUTSCHLAND |
Product/Service | CHILD RIGHTS |
Category |
A01. Direction |
Entrant
|
BBDO Düsseldorf, GERMANY
|
Idea Creation
|
BBDO Düsseldorf, GERMANY
|
Media Placement
|
OMD GERMANY Düsseldorf, GERMANY
|
Production
|
BWGTBLD Berlin, GERMANY
|
Credits
Till Diestel |
BBDO Group Germany GmbH |
Chief Creative Officer |
Kristoffer Heilemann |
BBDO Düsseldorf GmbH |
Creative Managing Director |
Michael Plückhahn |
BBDO Düsseldorf GmbH |
Executive Creative Director |
Veikko Hille |
BBDO Düsseldorf GmbH |
Creative Director |
Tatjana Genin |
BBDO Düsseldorf GmbH |
Art Director |
Julia Kinast |
BBDO Düsseldorf GmbH |
Art Director |
Christian Korntheuer |
BBDO Düsseldorf GmbH |
Copywriter |
Matthäus Kania |
BBDO Düsseldorf GmbH |
Copywriter |
Marei Wilke |
BBDO Düsseldorf GmbH |
Client Service Director |
Maren Jennen |
BBDO Düsseldorf GmbH |
Account Director |
Michelle Grossheim |
BBDO Düsseldorf GmbH |
Senior Strategic Planner |
Martin Böing-Messing |
BBDO Düsseldorf GmbH |
Creative Technologist |
Steffen Gentis |
BBDO Group Germany GmbH |
Chief Production Officer |
Carolin Hochstrate |
CraftWork - a brand of ad agencyservices GmbH |
Producer |
Philipp Ramhofer |
BWGTBLD GmbH |
Executive Producer |
Anna Bauer |
BWGTBLD GmbH |
Producer |
Victor Del Castillo |
BWGTBLD GmbH |
Producer |
Jared Knecht |
c/o BWGTBLD |
Director |
Dustin Lane |
- |
Director Of Photography |
Luigi F. Rossi |
LFR Productions Inc. |
Service Production |
Josh Sondock |
LFR Productions Inc. |
Producer |
- - |
EXILE |
Post Production Company |
Viet-An Nguyen |
EXILE |
Producer |
- - |
CraftWork - a brand of ad agencyservices GmbH |
Post Production Company |
Gustav Karlström |
- |
Music/Sound Design |
- - |
tracks&fields GmbH |
Music/Sound Design |
Maurice Ravel |
- |
Composer |
Yukie Nagai |
- |
Performer |
Robert Lopuski |
- |
Editor |
- - |
bEPIC GmbH |
Visual Effects |
- - |
ballad |
SFX |
Mike Howell |
- |
Colorist |
Write a short summary of what happens in the film
In this UNICEF awareness campaign we tell the stories of three children who experience different forms of violence. Not showing the abuse but the aftermath. We make visible, what is mostly invisible: the effect violence has on the inner soul of children.
We show that by marks, gradually appearing on their skin. Coming from inside through their veins and finally building words: Nichtsnutz (good-for-nothing), Prügelknabe (whipping boy) and Idiot. These marks are like stigmata. The children try to remove them. But it is in vain.
Finally, we show one of the children, who is now grown up. Still with her mark.
The film ends with the supered message: Violence leaves more than a mark.
And the hashtag #ENDviolence.
Cultural / Context information for the jury
Right now – in times of Corona – domestic violence is a severe problem. Children in particular are defencelessly exposed to the threat. Violence against them already starts with not meeting basic childhood needs such as respect, security, physical integrity and emotional and social support. Each of the three words on the children’s skin refers to a different form of violence against children. "Idiot" describes psychological violence in the form of humiliation through words. "Good-for-nothing" refers to neglect and failure to meet a child's basic physical and emotional needs. "Whipping boy" refers to physical violence against children such as beating or scalding.
Of these three, psychological violence is the most common form of violence – and therefore also the one that is echoed again at the end in the depiction of the grown-up woman.
Tell the jury anything relevant about the direction. Do not name the director.
The direction puts the children at the heart of the film and takes their perspective. Since the true nature of abuse doesn’t always look the same way the film focusses on the things that are often hidden in plain sight – the aftermath of violence. The grim subject matter is presented in a bright coating. This may seem a contrast but actually it highlights the fact that violence against children is happening every day and everywhere – not only in the dark, remote places of our world.