100 YEARS OF JUSTICE #FOREVER
| Title | 100 YEARS OF JUSTICE #FOREVER |
| Brand | CHAMBER OF LABOUR AUSTRIA |
| Product/Service | CHAMBER OF LABOUR AUSTRIA - 100 YEARS JUBILEE |
| Category |
A05. Cinematography |
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Entrant
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PAPABOGNER GMBH Vienna, AUSTRIA
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Idea Creation
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PAPABOGNER GMBH Vienna, AUSTRIA
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Production
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PAPABOGNER GMBH Vienna, AUSTRIA
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Production 2
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PPM FILMPRODUCTIONS Vienna, AUSTRIA
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Credits
| Philipp Papapostolu |
papabogner gmbh |
CEO |
| Marek Haiduk |
papabogner gmbh |
Art Director |
| Julian Derkits |
papabogner gmbh |
Associate Creative Director |
| Kathi Arnecke |
papabogner gmbh |
Graphic Designer |
| Sebastian Larrosa-Lombardi |
PPM Filmproductions |
Executive Producer |
| Johan Stahl |
Self Employed |
Director |
| Niels Thastum |
Self Employed |
Cameraman |
| Jacob Schulsinger |
Self Employed |
Editor |
Write a short summary of what happens in the film
'100 Years of Justice' unfolds like a Hollywood-style trailer, setting the stage for a dystopian showdown in the year 2050: The 4th Industrial Revolution. The spot personifies the idea of 'justice' with a time-traveling woman who leads an uprising of human labourers against robots deployed to replace them.
Cultural / Context information for the jury
Arbeiterkammer, the Chamber of Labour in Austria is the institution which represents the worker’s rights in Austria for more than 100 years already. Historically it always had to fight for their members and so does the personified justice which travels through the time which leads to an uprising of human labourers against robots deployed to replace them.
Tell the jury anything relevant about the cinematography.
100 Years of Justice unfolds like a Hollywood-style trailer, setting the stage for a dystopian showdown in the year 2050: The 4th Industrial Revolution. The spot personifies the idea of “justice” with a time-traveling woman who leads an uprising of human laborers against robots deployed to replace them.
Justice’s time travel across two centuries called for an ambitious production. From VFX to production design to a big live-action shoot, every creative choice was paramount in creating not only historically accurate scenes, but also imagining a futuristic world.
Director and DOP worked closely with production designers to map out the look, feel, and architecture of the different universes in the film, and weave them together with visual cohesion.