STOP VEO - TALKS

Short List
TitleSTOP VEO - TALKS
BrandSTOP VEO
Product/ServiceSTRONGER
Category B06. Not-for-profit / Charity / Government
Entrant PUBLICIS CONSEIL Paris, FRANCE
Idea Creation PUBLICIS CONSEIL Paris, FRANCE
Production ICONOCLAST Paris, FRANCE
Post Production PRODIGIOUS Paris, FRANCE
Additional Company STOP VEO PLERIN, FRANCE
Credits
Name Company Position
Marco Venturelli PUBLICIS CONSEIL President overseeing creativity
Fabrice Delacourt PUBLICIS CONSEIL Creative Director
Marc Rosier PUBLICIS CONSEIL Copywriter
Jean-Marc Tramoni PUBLICIS CONSEIL Art Director
Anne Dauvé PUBLICIS CONSEIL Account Manager
Benjamin Auberdiac PUBLICIS CONSEIL Account Manager
Céline Quelen StopVEO Client manager
Vincent Dennery Fondation pour l'Enfance Client manager
Domitille Laurens Iconoclast Producer
Antoine de Bary Iconoclast Realisator
Victor Seguin Iconoclast Director Of Photography
Clemence Couten Iconoclast Production Director
Melanie Jackson Iconoclast Production Director
Ines Marty Monzon Iconoclast Head of decoration
Yéléna dos Santos Poster / Prodigious Post Producer
Sophie Garrel Poster / Prodigious Post Producer
Franck-Hervé Marc Poster / Prodigious Post Producer
Leo Gatelier Poster / Prodigious Film Editor
Joel Tessonneau Prodigious Sound producer
Olivier Vehert Prodigious Sound Engineer
Emmanuel Rebaudengo Prodigious Sound designer
Nicolas Besse Prodigious Sound Designer
Dr Gilles Lazimi - Campaign coordinator

Write a short summary of what happens in the film

Discovering several walls of the house smeared with children's drawings, a father gets angry and looks everywhere for his son, shouting his name: "Boris!" But when he finds him, he immediately calms down: lying on the floor, scribbling on the living room carpet, Leo is a very muscular, patient-looking adult. His father explains in a soft voice that felt-tip pens are very difficult to clean. Then he hands him a pad of paper and explains that it will be better if he draws on it because they can put his drawings on the walls. Leo holds out his hand and, when he grabs the pad, he regains his childlike stature. He then resumes his scribbling, but on the pad of paper. His father leaves quietly. Overprint: "What if we imagined that our children were stronger than us?

Cultural / Context information for the jury

There are no cultural or contextual elements specific to France in this film, the violence of parents towards their children is unfortunately universal.