Title	STOP VEO - TALKS
Brand	STOP VEO
Product/Service	STRONGER
Category	A02. Script
Entrant	PUBLICIS CONSEIL Paris, FRANCE
Idea Creation	PUBLICIS CONSEIL Paris, FRANCE
Production	ICONOCLAST Paris, FRANCE
Post Production	PRODIGIOUS Paris, FRANCE
Additional Company	STOP VEO PLERIN, FRANCE

Name	Company	Position
Marco Venturelli	PUBLICIS CONSEIL	President overseeing creativity
Fabrice Delacourt	PUBLICIS CONSEIL	Creative Director
Marc Rosier	PUBLICIS CONSEIL	Copywriter
Jean-Marc Tramoni	PUBLICIS CONSEIL	Art Director
Anne Dauvé	PUBLICIS CONSEIL	Account Manager
Benjamin Auberdiac	PUBLICIS CONSEIL	Account Manager
Céline Quelen	StopVEO	Client manager
Vincent Dennery	Fondation pour l'Enfance	Client manager
Domitille Laurens	Iconoclast	Producer
Antoine de Bary	Iconoclast	Realisator
Victor Seguin	Iconoclast	Director Of Photography
Clemence Couten	Iconoclast	Production Director
Melanie Jackson	Iconoclast	Production Director
Ines Marty Monzon	Iconoclast	Head of decoration
Yéléna dos Santos	Poster / Prodigious	Post Producer
Sophie Garrel	Poster / Prodigious	Post Producer
Franck-Hervé Marc	Poster / Prodigious	Post Producer
Leo Gatelier	Poster / Prodigious	Film Editor
Joel Tessonneau	Prodigious	Sound producer
Olivier Vehert	Prodigious	Sound Engineer
Emmanuel Rebaudengo	Prodigious	Sound designer
Nicolas Besse	Prodigious	Sound Designer
Dr Gilles Lazimi	-	Campaign coordinator

Write a short summary of what happens in the film

Discovering several walls of the house smeared with children's drawings, a father gets angry and looks everywhere for his son, shouting his name: "Boris!" But when he finds him, he immediately calms down: lying on the floor, scribbling on the living room carpet, Leo is a very muscular, patient-looking adult. His father explains in a soft voice that felt-tip pens are very difficult to clean. Then he hands him a pad of paper and explains that it will be better if he draws on it because they can put his drawings on the walls. Leo holds out his hand and, when he grabs the pad, he regains his childlike stature. He then resumes his scribbling, but on the pad of paper. His father leaves quietly. Overprint: "What if we imagined that our children were stronger than us?

Cultural / Context information for the jury

There are no cultural or contextual elements specific to France in this film, the violence of parents towards their children is unfortunately universal.

Provide the full film script in English.

A very strong guy - a real build like a fridge - dressed in childish pyjamas, is lying on the floor on his stomach in the middle of a living room. There are a bunch of markers and pens spread around him and he is drawing directly on the carpet. Another man around 35 to 40 years old enters the room. He looks at the damage, bewildered. Swallowing his anger, he approaches him and shyly explains: "Uh... Boris... You see, the marker is very difficult to clean on the carpet. Here, look (he hands him a pad of paper): you can draw on that. It's better because then we can hang your drawings on the wall. Would you mind?" The giant turns to him and smiles. He takes the pad of paper. Overprinting : What if we imagined that children were stronger than us? The giant guy has become a little child again, dressed in the same pyjamas. He can be seen drawing on the pad of paper. Overprints : Fondation Pour L'enfance. StopVEO Parental authority is exercised without physical or psychological violence.