ADDRESSING THE 'NO FIXED ADDRESS' PROBLEM
Title | ADDRESSING THE 'NO FIXED ADDRESS' PROBLEM |
Brand | HSBC UK |
Product/Service | NO FIXED ADDRESS ACCOUNT |
Category |
B03. Use of Print / Outdoor |
Entrant
|
PHD London, UNITED KINGDOM
|
Idea Creation
|
PHD London, UNITED KINGDOM
|
Idea Creation 2
|
WUNDERMAN THOMPSON London, UNITED KINGDOM
|
Media Placement
|
PHD London, UNITED KINGDOM
|
Production
|
WUNDERMAN THOMPSON London, UNITED KINGDOM
|
Post Production
|
WUNDERMAN THOMPSON London, UNITED KINGDOM
|
Additional Company
|
HSBC UK HEADQUARTERS Birmingham, UNITED KINGDOM
|
Additional Company 2
|
HSBC UK HEADQUARTERS Birmingham, UNITED KINGDOM
|
Additional Company 3
|
TIME OUT London, UNITED KINGDOM
|
Additional Company 4
|
TALON OUTDOOR London, UNITED KINGDOM
|
Additional Company 5
|
HOGARTH WORLDWIDE London, UNITED KINGDOM
|
Credits
Kate Hudson |
HSBC UK |
Campaign Manager |
Amy Bennett |
HSBC UK |
Campaign Support |
David Coe |
HSBC UK |
Branch collateral |
Louise Gibson |
HSBC UK |
Time Out Partnership Manager |
Kavan Qureshi |
HSBC UK |
Time Out Partnership Support |
Jayden Taylor |
HSBC UK |
Time Out Partnership Support |
Rowena Williams |
HSBC UK |
Campaign Lead |
Sarah Mayall |
HSBC UK |
Campaign Sponsor |
Laura Hooper |
PHD UK |
Campaign Manager |
Jenny Beral |
PHD UK |
Campaign Director |
Shirin Khanano |
PHD UK |
Campaign Main Partnerhsip Lead |
Mike Watson |
Wunderman Thompson |
Creative |
James Humphreys |
Wunderman Thompson |
Creative |
Craig Hunt |
Wunderman Thompson |
Creative |
Graham Channon |
Wunderman Thompson |
Creative |
Bryan Riddle |
Wunderman Thompson |
Creative |
Tom Lawrence |
Wunderman Thompson |
Creative Production |
Eleanor Metcalf |
Wunderman Thompson |
Creative Strategy |
Omar ElGammal |
Wunderman Thompson |
Creative Strategy |
Claire Chislett |
Wunderman Thompson |
Account Management |
Olivia Taylor |
Wunderman Thompson |
Account Management |
Luke Thorton |
Wunderman Thompson |
Account Management |
Laurisa Harrison |
Talon Outdoor |
Account management of OOH brief |
Iona Joy |
Clear Channel |
Project management of production |
George McGhee |
Clear Channel |
Management of creative production |
Jamie Manson |
Clear Channel |
Agency Management |
Greg Tidman |
JCDecaux |
Management of creative production |
Andrew Constantinou |
JCDecaux |
Agency Management |
Nicola Foxwell |
Time Out |
Creative Partnership strategy |
Ichrak Mrini |
Hogarth Worldwide |
Production |
Why is this work relevant for Media?
In an industry that loves to over-complicate things, it’s a reminder of how effective the media
fundamentals of the right message, in the right place, for the right audience can be.
This campaign was a combination of creative media planning and creative execution that
grabbed attention to raise awareness of an element of homelessness that most people aren’t
aware of, and actually made a real difference to society at the same time
Background
HSBC UK differentiates itself from other banks with the suite of products and services it offers
some of society’s most vulnerable and marginalised people.
In 2020, HSBC UK wanted to raise awareness of how they help the most vulnerable in society
get access to financial products such as a bank account.
Describe the creative idea / insights (30% of vote)
In 2019, more than 280,000 people were experiencing homelessness in England (Source:
Shelter), with over 4,600 of them sleeping rough and 62,000 families living in temporary
accommodation.
When you don't have a home, it's hard to open a bank account.
When you don't have a bank account you have no safe space to keep your money and it is hard
to access government benefits and wages.
This set of circumstances perpetuates all forms of homelessness and creates a cycle of financial
exclusion.
To remove these barriers and break this cycle, HSBC UK offers a ‘No Fixed Address’ service
(NFA), partnering with various charities - including Shelter - who essentially then act as the
applicants’ home address.
So how do you make more people aware of it?
Describe the strategy (20% of vote)
Our media needed to grab the attention of more than one audience.
• Those who needed the ‘no fixed address’ service
• Those who were sympathetic to homelessness and may be in a position to help
So, we executed a strategy that was spearheaded by an approach that put the media exactly
where the problem is usually found.
We chose the exact spaces that act as temporary shelter for the homeless in moments of
desperation - creating impactful, bespoke wraps for bus shelters across the UK.
Describe the execution (20% of vote)
Our execution led with powerful OOH formats. But not any old off-the-shelf OOH formats.
At the center of this campaign were a series of bus shelter vinyl wraps across the UK which
featured a homeless person who appeared to be either sleeping on the bus shelter’s bench or a
sofa.
These shelters included details of HSBC UK’s ‘no fixed address’ service and a QR code which
passers-by could scan with their phones to donate to Shelter.
We used data to choose every site based on;
1. areas with the highest rates of homelessness and high footfall, and
2. its proximity to HSBC UK branches which offered the ‘no fixed address’ service.
These sites were further amplified on the streets with other disruptive formats, such as fly posters
(posted 100% legally in approved sites) which highlighted the message of the struggles people
who are homeless face without access to financial services
List the results (30% of vote)
• Bank accounts opened through HSBC UK ‘no fixed address’ service grew +52% during the
campaign
• The QR code donations received during our 2-week campaign generated enough funds for the
Shelter Helpline to support more than 100 individuals facing homelessness and housing
problems
• In fact, 1-in-5 of our QR donors have signed up to become regular donors to Shelter, leaving a
long-term funding legacy for the campaign.
Finally, HSBC UK saw positive growth in key brand associations:
• ‘HSBC UK supports the UK community’ +10% YoY
• ’HSBC UK is a brand I would be proud to use’ +5% YoY
• ‘HSBC UK cares about customers’ +12% YoY