LESSONS OF AUSCHWITZ: VR TRIBUTE BY SCHOOL STUDENTS
| Title | LESSONS OF AUSCHWITZ: VR TRIBUTE BY SCHOOL STUDENTS |
| Brand | RT |
| Product/Service | ONLINE FILM |
| Category |
A03. Video / Moving Image |
|
Entrant
|
RT Moscow, RUSSIA
|
|
Idea Creation
|
RT Moscow, RUSSIA
|
|
Media Placement
|
RT Moscow, RUSSIA
|
|
Production
|
PHYGITALISM Moscow, RUSSIA
|
Credits
| Kirill Karnovich-Valua |
RT |
Creative Director |
| Denis Semionov |
Sa1nt Denis |
Digital Artist |
| Ania Fedorova |
RT |
Producer |
| Elena Medvedeva |
RT |
Producer |
| Revaz Todua |
RT |
Designer |
| Eldar Salamov |
RT |
Producer |
| Peter Theremin |
Peter Theremin |
Music & Sound design |
| Gleb Burashov |
RT |
Strategist |
| Ivor Crotty |
RT |
Producer |
| Ivan Fursov |
RT |
Editor |
| Ilya Grachev |
RT |
Cameraman |
| Lilly Kazakova |
RT |
PR |
| Katya Motyakina |
RT |
Producer |
| Margo Tskhovrebova |
RT |
Administrative Manager |
| Valeria Fimina |
Phygitalism |
Project manager |
| Ivan Yunitsky |
Phygitalism |
Project Manager |
| Pavel Postnikov |
Phygitalism |
UI Designer |
| Ekaterina Sidorova |
Phygitalism |
3D artist |
| Vlad Krutenyuk |
Phygitalism |
3D artist |
| Aleksandr Kryuchkov |
Phygitalism |
Developer |
| Aleksey Lushnikov |
Phygitalism |
Developer |
| Nikita Semionov |
School №548 |
School Student |
| Dima Kaderkaev |
School №548 |
School Student |
| Misha Borisov |
School №548 |
School Student |
| Vlad Sarychev |
School №548 |
School Student |
| Nata Makashvili |
School №548 |
School Student |
| Zhenya Timoshenkova |
School №548 |
School Student |
| Sasha Volkov |
School №548 |
School Student |
| Lera Agescheva |
School №548 |
School Student |
| Dima Sobaev |
School №548 |
School Student |
| Maria Doreuli |
Contrast Foundry |
Designer |
| Nikita Sapozhkov |
Contrast Foundry |
Designer |
| Liza Rasskazova |
Contrast Foundry |
Designer |
Describe the creative idea
The Holocaust. One of the most inhumane events in history in which approximately 6 million Jews were deliberately and systematically exterminated during World War II by the nazis. The Auschwitz concentration camp in Poland and its endless barracks in ruins, remain one of the world’s most painful memorial sites and serve as a living reminder of what evil can look like.
But as time passes, so do the Holocaust survivors - the voices of those who remember the atrocities are falling silent. The commemorative link between generations is dimming. Today, in a mostly digital world, it is important to restore the gap and keep younger generations interested in learning history. The victims’ stories of the Holocaust and horrors of Auschwitz are always with us, but must be retold by and for new generations.
Describe the execution
Visiting Auschwitz is a profound and deep rite of passage. To mark the 75th anniversary of its liberation we brought nine students from a Moscow high school - between 13 and 16 years old - to the Memorial in Poland to personally undergo this experience. After the trip, we asked them to express their reactions in VR under the creative guidance of Russia’s leading XR artist, Denis Semionov.
“Lessons of Auschwitz” is a social experiment that aims to show how history can be retold and reimagined by younger generations through digital art. Using innovative XR film technology we aimed to create a new kind of commemorative tribute which will engage and touch younger viewers and inspire them to learn more about the Holocaust. The project unites history, teenagers’ personal emotions, the lament of a theremin and innovative immersive tech to create powerful, moving art that sustains historical memory in a digital world.
A comprehensive six-month production lies behind the creation of this XR experience. In stage one, we decided to teach the students, who would eventually go to Poland and become prime-creators of this tribute, some historical background and organised a private tour to the Moscow Jewish Museum and a screening of Spielberg’s ‘Schindler's List’.
The students used Tilt Brush to draw their 3D images and were filmed with volumetric video - a technique capturing three-dimensional space, allowing the images to be transformed directly into 3D where they would later react to sound waves.
The project features the unique #VictoryFont "May" which was created specially for the project - behind each character is a documented Reichstag inscription, hand-written by soldiers who conquered Berlin in 1945. “May” creates a narrative link between the past and the present, between the Victory heroes and us, the inheritors of their legacy.