Title | EURYTHENES PLASTICUS |
Brand | WWF GERMANY |
Product/Service | THE NEW SPECIES EURYTHENES PLASTICUS |
Category |
D02. Use of Events & Stunts |
Entrant
|
BBDO Düsseldorf, GERMANY
|
Idea Creation
|
BBDO Düsseldorf, GERMANY
|
Media Placement
|
HEARTS & SCIENCE Düsseldorf, GERMANY
|
PR
|
WILDSTYLE NETWORK Dresden, GERMANY
|
Production
|
SEHSUCHT Hamburg, GERMANY
|
Post Production
|
CRAFTWORK Düsseldorf, GERMANY
|
Additional Company
|
INTERMATE MEDIA Berlin, GERMANY
|
Additional Company 2
|
FACEBOOK GERMANY Hamburg, GERMANY
|
Additional Company 3
|
OMG FUSE Düsseldorf, GERMANY
|
Credits
Till Diestel |
BBDO Group Germany GmbH |
Chief Creative Officer |
Kristoffer Heilemann |
BBDO Düsseldorf GmbH |
Creative Managing Director |
Andy Wyeth |
BBDO Düsseldorf GmbH |
Executive Creative Director |
Bernd Rose |
BBDO Düsseldorf GmbH |
Art Director |
Marco Serra |
BBDO Düsseldorf GmbH |
Art Director |
Rosario Brancato |
BBDO Düsseldorf GmbH |
Art Director |
Christian Korntheuer |
BBDO Düsseldorf GmbH |
Copywriter |
Marcos Alves |
BBDO Düsseldorf GmbH |
Copywriter |
Kat Wyeth |
BBDO Düsseldorf GmbH |
Production Director |
Martin Böing-Messing |
BBDO Düsseldorf GmbH |
Creative Technologist |
Benjamin Pleissner |
BBDO Düsseldorf GmbH |
European Planning Director |
Kyle Duckitt |
BBDO Düsseldorf GmbH |
Strategic Planner |
Steffen Gentis |
BBDO Group Germany GmbH |
Chief Production Officer |
Hans-Christoph Schultheiss |
Sehsucht GmbH |
Managing Director |
Stephanie Hülsmann |
Sehsucht GmbH |
Producer |
Alex Komlew |
Alex Komlew |
Music/Sound Design/Composer |
- - |
Studio Funk GmbH & Co. KG |
Audio Production House |
Arne Schultze |
Studio Funk GmbH & Co. KG |
Sound Engineer |
Dr. Alan Jamieson |
Newcastle University |
Scientist / Voice-over |
Johanna Weston |
Newcastle University |
Scientist |
Niklas Lemburg |
CraftWork - a brand of ad agencyservices GmbH |
Digital Media Designer |
Alexander Link |
CraftWork - a brand of ad agencyservices GmbH |
Digital Media Designer |
Juhn Kim |
CraftWork - a brand of ad agencyservices GmbH |
Editor |
- - |
pretty on point |
Retoucher |
Why is this work relevant for PR?
"Eurythenes plastics" is a campaign with PR at its core. With little paid media to support the launch, plasticus was able to provoke a global conversation about our environmental impact but it also turned visibility into action in the form of petition signatures calling for a legally binding UN agreement to put an end to marine plastic pollution. The ocean plastic topic had become desensitized, but the new angle presented by the contaminated species created and emotional hook that couldn't be ignored.
Background
Germans are some of the best sorters of rubbish in the world, but well under 30% of our plastic is recycled. Rather than dealing with our own trash, Germany is the third biggest exporter of plastic waste (behind the USA and Japan) to countries in South East Asia. Because of less stringent regulations in these countries, this trash often ends up at landfill where it’s blown around in the wind, into rivers and ultimately into our oceans. Once in the ocean, the plastic gradually breaks down into microplastics and slowly falls to the sea floor where it can take up to 400 years to fully decompose. Ocean plastic is an important ongoing topic for the WWF. We were given the challenge to find a new spin on a problem that has been desensitized over time that could generate widespread attention and action with a very modest budget.
Describe the creative idea (20% of vote)
When you find a new species you get to give it a name. To make an environmental statement against ocean plastic, we named a new deep-sea species after the plastic that was found inside its body - Eurythenes plasticus. This new species has been entered into the permanent taxonomic record as living proof that we’re impacting parts of the world we are still discovering. Following the publication of the scientific manuscript and the worldwide press that resulted, we launched a multi-channel campaign collecting petition signatures calling for a legally binding UN agreement to put an end to marine plastic pollution.
Describe the PR strategy (30% of vote)
We needed to find a way to get the attention of a desensitized audience to further highlight the ocean plastic problem for our client the WWF. Through research, we found out that deep-sea species were being found with plastic contamination already in their bodies. One such study showed that 72% of the sampled deep-sea crustaceans contained plastic contamination. This insight created an interesting strategic opportunity to create a new spin on an old, tired problem. Furthermore, if we could collaborate with deep-sea scientists to find a new species that had plastic inside its body, we could name it after that very contamination and use the new species as a catalyst for conversation and a vehicle for environmental activism. Driving a public dialogue would ensure that people stop and consider their own environmental impact and in turn make better decisions to reduce the amount of plastic waste they create.
Describe the PR execution (20% of vote)
This idea is the culmination of over one and a half years of collaboration together with world renowned marine ecologist Dr Alan Jamieson from Newcastle University. The campaign launched on 05.03.20 with the official publication of the scientific manuscript, creating history and making Eurythenes plasticus officially part of our planet’s taxonomic record. Within hours, a worldwide conversation had ignited over the extent of the plastic pollution in our oceans in over forty countries without any media spend. Following the publication of the new species, we rolled out a cross-platform campaign that encouraged people to sign a petition asking for a legally binding global UN agreement to put an end to marine plastic pollution. This cross over of advertising and science enabled us to eternalize the idea by partnering with museums in Germany and also internationally – including the Smithsonian – to permanently display the new species as an educative awakening.
List the results (30% of vote)
Launched during the rise of COVID-19, Eurythenes plasticus still made a lasting and global impact.
•Eurythenes plasticus spread on credible news stations such as the BBC, to youth culture platforms like Unilad to scientific niche groups such as the New Scientist – close to one and a half billion people were estimated to have been reached by the campaign without any media spend. The new species and the environmental topic was first discussed across all major German media outlets (Der Spiegel, Stern, Welt, Bild, Galileo, Focus Online, Berliner Zeitung, Der Standard, Deutsche Welle, Kabel Eins etc) and then went global (BBC, Newsweek, Forbes, The New Yorker, The Evening Standard, CNN, The Indian Times, The New Zealand Herald, Nine News Australia, News.com.au, Gizmodo, Unilad, New Scientist, The China Post, El Espectador and many more).
•The media frenzy is estimated to have generated €12 million in earned media value and thanks to the social discussion, over 93 counties were impacted.
•The organic social conversation was even picked up by celebrities such as Anitta in Brazil who shared it with her 50 million followers.
•The permanent museum exhibitions have had over 410,000 combined visitors to date and new partnerships requests continue to be supported.
•Due to massive interest from schools to integrate the subject into the curriculum, we developed together with the scientists the website plasticus.school as an international educational resource that has thousands of downloads to date.
•Eurythenes plasticus received a Guinness World Record as the first new species contaminated by plastic.