Title | THE ULTIMATE SLEEP |
Brand | IBIS |
Product/Service | IBIS |
Category |
A01. FICTION: SERIES OR FILM |
Entrant Company
|
BETC Paris, FRANCE
|
Contributing Company
|
BETC Paris, FRANCE
|
Credits
Stephane Xiberras |
BETC |
Executive Creative Director |
Antoine Choque |
BETC |
Creative Director |
Annick Teboul |
BETC Digital |
Creative Director |
Jordan Lemarchand |
BETC |
Art Director |
Sylvain Paradis |
BETC Digital |
Art Director |
David Tamayo |
BETC Digital |
Art Director |
Julien Deschamps |
BETC |
Copywriter |
Guillaume Rebbot |
BETC Digital |
Copywriter |
Hugo Diaz |
BETC |
Executive Producer |
Jean/Noel Perrin/François Brogi/Antoine Clemenceau/Stéphanie Mayer/Sebastien Bou |
BETC |
Agency Management |
|
Anonymous |
Digital Studio |
Antoine Dubois |
Ibis |
Brand Management |
Lara Faguais |
Ibis |
Brand Management |
The Campaign
No particular restrictions on Branded Entertainment in France in this business sector (tourism).
Results
Developed by 60 engineers, involving over 3,000 working hours, IBIS innovates by designing the
Sweet bed by ibisTM. This bed breaks all accepted codes in the economy hotel segment,
offering absolute comfort and making IBIS hotels the best place to sleep.
The aim of this operation was to demonstrate the bed's technical superiority to the general
public, reinforcing the brand's promise of 'a good night's sleep' and spreading it throughout the
world.
The problem was simple: how can the bed's performance be demonstrated, how can the quality
of sleep it offers be highlighted, without the content becoming soporific?
So we created a concept: the ultimate sleep, sleep under extreme duress. We mounted an
expedition to find a place to sleep where no one has ever slept before: on the top of Mount
Roraima, in the heart of the Amazon jungle, on a windswept, cloud-capped peak.
The content was therefore enshrined in the documentary that tracked this adventure, step by
step.
The challenge was to mount a real expedition, a true adventure with all its exciting ingredients:
- a team of real adventure-seekers, not actors, with its two heroes being actual experienced
explorers (see Brazil 9000), accompanied by a doctor, a producer and a production assistant
- a partnership with Columbia for the expedition equipment
- a production by Vice, a benchmark in web documentaries of this kind
The content is intended to be viewed not as a simple video but in digital platform format.
Developed entirely in HTML5, the platform offers a spellbinding full-immersion experience: an
interactive intensity line, additional content, multi-camera scenes, a 360° view of the summit of
Mount Roraima, double cameras manned from a helicopter, etc.
Special PR initiative, deployed in several phases:
- Phase 1: Sending of specific PR teaser one month before launching of the site.
- Phase 2: 6 world press events/blog on 21 January (Berlin, London, Rio, Surabaya, Madrid,
Lisbon)
- Phase 3: distribution of press release, broadcasting of a long-format trailer and relay of
ibis-expedition.com site to all the press.
Thereafter, a media initiative:
- On-line broadcast of a 30' trailer in over 10 countries worldwide (France, the UK, Australia,
Brazil, etc.).
- Broadcasting of a TV drive-to-site spot in Brazil.
The operation and platform achieved their objectives of visibility for the IBIS brand. A month and
a half after the launch, the results exceeded the brand's expectations:
- Over 200 press or web articles in over 30 countries, on all continents.
- 1.5 million individual visitors to the site (versus a target of 700,000)
- 2.3 million viewings of the trailer, with over 20% viral marketing.
- 30% increase in the number of Facebook fans
- And above all, proof of the interest stimulated by the content: the average time spent on the
site was 6'30', more than double the usual figure for brand advertising sites.