Title | THE CALL |
Brand | VODAFONE UK |
Product/Service | VODAFONE NETWORK |
Category |
A04. CINEMATOGRAPHY |
Entrant Company
|
GREY LONDON, UNITED KINGDOM
|
Advertising Agency
|
GREY LONDON, UNITED KINGDOM
|
Media Agency
|
OMD London, UNITED KINGDOM
|
Production Company
|
ACADEMY FILMS London, UNITED KINGDOM
|
Credits
Nils Leonard |
Grey London |
Chief Creative Officer |
Vicki Maguire |
Grey London |
Deputy Executive Creative Director |
Jonathan Marlow |
Grey London |
Creative Director |
Ange Eleini |
Grey London |
Senior Producer |
Natalie Graeme |
Grey London |
Managing Partner |
Sophie Fredheim |
Grey London |
Account Director |
Morwenna White Thompson |
Grey London |
Account Manager |
Stephen Kessell |
Grey London |
Creative Producer |
Leo Rayman |
Grey London |
Head Of Planning |
Rachel Woolley |
Grey London |
Planner |
Marcus Soderlund |
Academy |
Director |
Medb Riordan |
Academy |
Producer |
Barry Ackroyd |
Barry Ackroyd |
Director Of Photography |
Tom Lindsay |
Trim Editing |
Editor |
Electric Theatre |
Electric Theatre |
Post Production |
750 |
750 |
Audio Post Production |
David Josephs |
OMD |
Client Partner |
Nikki Gunning |
OMD |
Business Director |
Joe Arojojoye |
Grey London |
Assistant Producer |
Brief Explanation
The advert highlights the importance of connectivity and the dependability of Vodafone’s network, in a cinematic yet realistic portrayal of a ‘call out.’
The film opens in the midst of a full-blown emergency – a car is ablaze on a motorway, a fire engine is in attendance, we see a firefighter and his crew fight the blaze. Heroic, brave, real; they get on with the job. Over the chaos, a soft but matter-of-fact voice kicks in: the voice of a firefighter’s wife on the internal struggle she wages, every time her man leaves the house.
When the blaze is out, and as the firefighter takes off his helmet, it’s revealed that 77% of the emergency services use Vodafone. The film ends with the line ‘Power to our emergency services. Power to you.’
The film featured real, off-duty firefighters to ensure the emergency depicted was both credible and authentic.