Title | IKEA MÜPOLASH |
Brand | IKEA BELGIUM |
Product/Service | ALL |
Category |
A09. Creative Data Collection & Research |
Entrant
|
OGILVY | SOCIAL.LAB BELGIUM Brussels, BELGIUM
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Idea Creation
|
OGILVY | SOCIAL.LAB BELGIUM Brussels, BELGIUM
|
Media Placement
|
OGILVY | SOCIAL.LAB BELGIUM Brussels, BELGIUM
|
PR
|
OGILVY | SOCIAL.LAB BELGIUM Brussels, BELGIUM
|
Production
|
OGILVY | SOCIAL.LAB BELGIUM Brussels, BELGIUM
|
Post Production
|
OGILVY | SOCIAL.LAB BELGIUM Brussels, BELGIUM
|
Credits
Gabriel Araujo |
Ogilvy Social.Lab |
Creative Director |
Gregory Ginterdaele |
Ogilvy Social.Lab |
Executive Creative Director |
Antoinette Ribas |
Ogilvy Social.Lab |
Senior Art Director & Concept Provider |
Caroline Charles |
Ogilvy Social.Lab |
Account Director |
Morgane Morel |
Ogilvy Social.Lab |
Account Manager |
Pieter Decanniere |
Ogilvy Social.Lab |
Senior Copywriter |
Sadaf Naqui |
Ogilvy Social.Lab |
Senior Motion Designer |
Lara Silber |
Ogilvy Social.Lab |
Motion Designer |
Xavier Vanderplancke |
Ogilvy Social.Lab |
Graphic Designer |
Why is this work relevant for Creative Data?
Through observation, a very limited-edition “thing” and a social media campaign, IKEA Belgium managed to further increase user-generated content on social platforms around its brand and became one of the first local brands to use the AR filters of Instagram. With almost a million people reached and 13% of them having an interaction with the filter, the goal of putting the brand on the map again and catching the attention was reached in a short while.
Background
With more than 1B users and 95M photos shared every day on the platform, Instagram has become ubiquitous for both people and brands alike. For IKEA, the connection with the audience exists quite naturally. Every two seconds, a fan shares a photo of their IKEA interior on the platform, representing an almost endless inspiration source and authentic content for the brand. So, when IKEA Belgium wanted to further increase user-generated content around its brand, we set out to work.
Describe the Creative idea / data solution (20% of vote)
In order to stand out from the crowded Instagram landscape, we analysed all the content shared on the platform around IKEA. Quickly, we realized we were constantly faced with the same four items: mugs, pots, lamps and shelves.
Our idea was then to create a one-off object that would be the most instagrammable thing in the world: the MÜPOLASH, a contraction of MUg, POt, LAmp & SHelf. Existing in physical and virtual form, the MÜPOLASH was aimed at generating conversation around the brand all across Belgium.
Describe the data driven strategy (30% of vote)
By measuring the volume of social media posts surrounding the brand on IKEA, we were able to identify what interested our audience and decided to combine the four major trends into one single item.
Additionally, because this object took its roots on Instagram, it had to live on Instagram. Our campaign started by explaining what the MÜPOLASH was, then we followed-up with a participative layer featuring an augmented reality filter available through Stories, making IKEA one of the first advertisers in Belgium to use this technology. By using this filter in their own environment, customers were invited to tag @IKEABelgium and the two campaign hashtags (#MonIKEA & #MijnIKEA) to win one of the five physical copies of the object.
Describe the creative use of data, or how the data enhanced the creative output (30% of vote)
Further than giving birth to the idea of the MÜPOLASH, the collected data also helped inform its material creation. By 3D printing the object from 100% biodegradable material - highlighting IKEA’s engagement for sustainability - it allowed us to replicate the exact design of the original Ikea objects. 3D printing also allowed us to tailor the proportions and colour based on the analysed data and volume of hashtags; making then the mug bigger than the lamp for example.
List the data driven results (20% of vote)
Thanks to a relevant audience targeting, we managed to reach 979.196 people on Instagram with our campaign. But further than just being made aware of the campaign, 13% of our reached users had an interaction with our filter, through organic exposure in people’s Stories.
This is where true value of this campaign takes on its full meaning. The earned impressions and reach were ultimately what IKEA was after. With 127K users were reached through earned media, we beat our estimate by over 10% and made the MÜPOLASH famous across the country.
By spotting a trend on Instagram and making it come to life in the users’ hands and screens, we bridged the gap between the virtual and physical environments. We also made something Instagram had never seen before, just from observing what Instagram sees all the time.