Title | TAPESTRY |
Brand | TOURISM IRELAND |
Product/Service | TOURISM IRELAND |
Category |
C03. Exhibitions / Installations |
Entrant
|
TOURISM IRELAND Redmonds Hill, IRELAND
|
Idea Creation
|
PUBLICIS LONDON, UNITED KINGDOM
|
Media Placement
|
CARAT London, UNITED KINGDOM
|
Production
|
SPACE66 London, UNITED KINGDOM
|
Credits
Dave Monk |
Publicis |
Executive Creative Director (London) |
Dave Sullivan |
Publicis |
Creative Director |
Josh Norbury |
Publicis |
Copywriter & Art Director |
Chris Turner |
Publicis |
Strategist |
Ben McKee |
Publicis |
Account Director |
Katie Edwards |
Publicis |
Business Director |
Kathryn Mason |
Publicis |
Account Manager |
Kal Parma |
Publicis |
Agency Producer |
Jelly Kitchen |
Jelly Kitchen |
Illustrator |
Space66 |
Production & Post Production Company |
Production & Post |
Sam Stocking |
Space66 |
Director |
Ben Loach |
Ben Loach |
Editor |
Chloe Shaw |
Space66 |
Producer |
Dash+Miller |
Dash+Miller |
Textile Production |
Radd Nadesananthan |
Publicis |
Social Planner |
Duncan Rogers |
Publicis London |
Designer |
Brian Twomey |
Tourism Ireland |
Head of Marketing Communications |
Mark Henry |
Tourism Ireland |
Central Marketing Director |
The Campaign
Our challenge was to bring the tapestry to life not just in person, but online as-well. We created an experience on Ireland.com which allowed visitors to scroll through, and zoom – in on a high-resolution scan of the tapestry, including hotspots referring to the show’s iconic filming locations in Northern Ireland. GOT fans were encouraged to explore the tapestry in more depth, and discover the places where the action took place, effectively turning fans of the show into fans of Northern Ireland.
Campaign Success
Every section of the tapestry was installed in the Ulster Museum, Belfast - giving fans a new iconic GOT experience to visit as soon as they land in the city. And visit they did, with more than 20,000 visitors to the installation in the first 6 weeks, with a further 62% of visits since being specifically to see the tapestry.
Through the art of storytelling, and the resurrection of a dying craft, we created a brand new tourist attraction, and a permanent fixture in Northern Ireland’s culture.
Describe the success of the promotion with both client and consumer including some quantifiable results
40,000 visitors to the installation to date.
So far this has resulted in 3.5 million engagements and 500,000 hotspot engagements on Ireland.com, plus 32.7 million video views and a 17.9% completion rate of our social content.
So, with a growing reach figure of 344,102,909 from online publicity, and earned advertising value of €16,681,354 for a campaign spend of only €268,364, the tapestry has achieved even more than we anticipated; building on the success of 2016, driving brand awareness, and ultimately increasing visitor numbers to Northern Ireland.
Explain why the method of promotion was most relevant to the product or service
The Game of Thrones Tapestry brings the fantasy world of Westeros and the reality of Northern Ireland to life – combining the shows epic scale and drama with Northern Ireland’s rich craft and textile heritage. Through a series of social assets, a physical exhibition and a digital website experience on Ireland.com, we gave fans (and potential visitors) the ability to explore and share the details of their favourite show, all the while learning about Northern Ireland’s iconic filming locations and history.
Our challenge was to bring the tapestry to life not just in person, but online as-well. We created an experience on Ireland.com which allowed visitors to scroll through, and zoom – in on a high-resolution scan of the tapestry, including hotspots referring to the show’s iconic filming locations in Northern Ireland. GOT fans were encouraged to explore the tapestry in more depth, and discover the places where the action took place, effectively turning fans of the show into fans of Northern Ireland.