Title | GOTH LIFE |
Brand | COPENHAGEN METRO |
Product/Service | COPENHAGEN METRO |
Category |
A01. Direction |
Entrant
|
HJALTELIN STAHL PART OF ACCENTURE INTERACTIVE Copenhagen, DENMARK
|
Idea Creation
|
HJALTELIN STAHL PART OF ACCENTURE INTERACTIVE Copenhagen, DENMARK
|
Media Placement
|
WAVEMAKER Copenhagen, DENMARK
|
Production
|
PEGASUS PRODUCTION Copenhagen, DENMARK
|
Credits
Kenneth Kaadtmann |
Hjaltelin Stahl |
Creative Lead |
Cecilie Öberg |
Hjaltelin Stahl |
Art Director |
Sune Overby |
Hjaltelin Stahl |
Art Director |
Nina Markholt |
Hjaltelin Stahl |
Copywriter |
Sandra Amilie Laccopidan |
Hjaltelin Stahl |
Account Manager |
Peter Harton |
Pegasus Production |
Director |
Cille Silverwood-Cope |
Pegasus Production |
Executive Producer |
Jens Maasbøl |
Pegasus Production |
DOP |
Anders Jon |
Pegasus Production |
Editor |
Ole Kristian Krogstad |
Pegasus Production |
Sound Engineer |
Lasse Bjerre |
Hjaltelin Stahl |
Account Director |
Write a short summary of what happens in the film
In the film we follow two goth characters as they enter the metro. They're looking as cool as they can. After they enter, they then realize that they're not alone. But not only are they not alone, they're sharing the space with a group of flamboyant acapella singers.
As their discomfort grows, the singers only get louder, prompting some enthusiastic dance moves in the direction of the two uncomfortable men. Fortunately, it will all be over soon, as the next stop is only 2 minutes away.
Tell the jury anything relevant about the direction. Do not name the director.
We wanted to put something black against something that’s extremely colorful. Acapella groups can be quite frightening – they are all about human contact and laughter and expressing themselves.
We worked primarily with wide-angle lenses, coming as close as possible to the passengers to ramp up the discomfort. We purposefully made the camera angles mismatched to accentuate how the different sets of characters have wildly differing POVs.”