Title	RENAULT KANGOO VAN - OPEN FOR BIG THINGS
Brand	RENAULT
Product/Service	KANGOO VAN
Category	A04. Production Design / Art Direction
Entrant	PUBLICIS CONSEIL Paris, FRANCE
Idea Creation	PUBLICIS CONSEIL Paris, FRANCE
Production	DIPLOMATS Paris, FRANCE
Post Production	MIKROS Paris, FRANCE

Name	Company	Position
Agathe Bousquet	PUBLICIS CONSEIL	President
Marco Venturelli	PUBLICIS CONSEIL	President overseeing creativity
Marcelo Vergara	PUBLICIS CONSEIL	Creative Director
Yves-Eric Deboey	PUBLICIS CONSEIL	Artistic Director
Mathieu Degryse	PUBLICIS CONSEIL	Copywriter
Caroline Petruccelli	PUBLICIS CONSEIL	Agency Producer
Hugues Reboul	PUBLICIS CONSEIL	Account Team
Grégoire Verdet	PUBLICIS CONSEIL	Account Team
Frederik Volpert	PUBLICIS CONSEIL	Account Team
Arnault Bernardin	PUBLICIS CONSEIL	Account Team
Téa Jeansonnie	PUBLICIS CONSEIL	Account Team
Arnaud Belloni	Renault	Brand team
Laurent Aliphat	Renault	Brand team
Marika Doulas	Renault	Brand team
Aurore Henry	Renault	Brand team
Lope Serrano	Diplomats	Director
Kasper Andersen	Diplomats	DOP
Solal Micenmacher	Diplomats	Producer
Guillaume Lefrançois	PUBLICIS CONSEIL	Line producer
Nicolas Larrouquere	Freelance	Editor
Mathieu Toullet	Mikros	Calibrator

Write a short summary of what happens in the film

A repeated visual process referring to the side opening "open sesame by RenaultTM" accompanies us throughout the film, punctuated by the little girl's voice telling us the different stages of the success of this enterprise.

Cultural / Context information for the jury

Since the launch of the first generation, Renault Kangoo Van has always been able to innovate to meet the expectations of the most demanding professionals. The new Renault Kangoo Van is no exception to the rule, offering a new design but also a major innovation: "open sesame by RenaultTM ", the side opening of 1.45m without a central pillar, which makes it the widest side access in its category.

Tell the jury about the production design / art direction. You may wish to comment on choices, challenges or effects.

We had a big challenge because we decided to one big place connecting each scenario with the doors of the car and each was open automatically when the camera arrived. Another big challenge was to shoot this like if it is stop motion but without stop motion, we have doubles of the main actors and everybody acting freeze when the director said action.