DRAW THE LINE AGAINST MALARIA
Title | DRAW THE LINE AGAINST MALARIA |
Brand | MALARIA NO MORE |
Product/Service | MALARIA NO MORE |
Category |
B04. Animation |
Entrant
|
ISOBAR Amsterdam, THE NETHERLANDS
|
Idea Creation
|
ISOBAR Amsterdam, THE NETHERLANDS
|
Idea Creation 2
|
DENTSU BENELUX Amsterdam, THE NETHERLANDS
|
Idea Creation 3
|
DENTSUACHTUNG! Amsterdam, THE NETHERLANDS
|
Media Placement
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DENTSU AEGIS NETWORK Amsterdam, THE NETHERLANDS
|
Media Placement 2
|
CARAT Amsterdam, THE NETHERLANDS
|
Media Placement 3
|
IPROSPECT Amsterdam, THE NETHERLANDS
|
Media Placement 4
|
POSTERSCOPE NETHERLANDS Amsterdam, THE NETHERLANDS
|
Production
|
BLACK DOG FILMS London, UNITED KINGDOM
|
Production 2
|
RSA FILMS London, UNITED KINGDOM
|
Production 3
|
JM FILMS Lagos, UNITED KINGDOM
|
Production 4
|
LOBO London, UNITED KINGDOM
|
Additional Company
|
MALARIA NO MORE UK London, UNITED KINGDOM
|
Credits
Daniel Sytsma |
dentsu International & dentsuACHTUNG! |
Global Chief Design Officer |
Kika Douglas |
dentsuACHTUNG! |
Executive Creative Director |
Sam Souen |
dentsuACHTUNG! |
Creative Director |
Jasper Janssen |
dentsuACHTUNG! |
Creative Director |
Daniel Bunde |
dentsuACHTUNG! |
Creative |
Bart Heideman |
dentsuACHTUNG! |
Designer |
Miles Salé |
dentsuACHTUNG! |
Designer |
Lorenzo Angelone |
dentsuACHTUNG! |
Designer |
Iris Starmans |
dentsuACHTUNG! |
Producer |
Mateus de Paula Santos |
LOBO |
Creative Director |
Felipe Machad |
LOBO |
Director |
Tiago Marcondes |
LOBO |
Director |
Loic Dubois |
LOBO |
Executive Producer |
Pedro Ramos |
LOBO |
Executive Producer |
Renato Klieger |
LOBO |
Concept Art |
Rômulo de Oliveira |
LOBO |
Concept Art & Story Board |
Vinicius Lousa |
LOBO |
Concept Art |
Clara Morelli |
LOBO |
Head of Production |
Pablo Zurita |
LOBO |
Producer & Post-Producer |
Nathalia Okimoto |
LOBO |
2D Animation |
Bruno Tedesco |
LOBO |
2D Animation |
Gian Burani |
LOBO |
2D Animation |
Gustavo Rangel |
LOBO |
3D Coordinator & Animation |
Juliano Araújo |
LOBO |
Modelling |
Danilo Enoki |
LOBO |
Rigging/Character Animation |
Helio Takahashi |
LOBO |
Rigging/Character Animation |
Gustavo Rangel |
LOBO |
Texture |
Bruno Tedesco |
LOBO |
Texture |
Filipe Lopes |
LOBO |
R&D |
Nathalia Okimoto |
Supernova Duo |
Composition & After Effects |
Write a short summary of what happens in the film
Draw The Line Against Malaria is a movement led by the generation that will end malaria.
To end Malaria, African youth needed to demand action from heads of state. But growing up with Malaria as an inevitable fact of life had made youth lose hope in a malaria-free future. To bring this hope back, we made the mission of ending Malaria part of African youth culture
To tap into African culture, we partnered with renowned Nigerian Artist and Activist Laolu Sebanjo. Together we created a modular line pattern that would represent our movement. The Muundo combines traditional line art with technology to create a collective artwork that demands a malaria free future from world leaders.
To tell the story of the Muundo and all the symbols it contains we created an animation film, that shows how this piece of art starts on a body but grows to cover the world.
Cultural / Context information for the jury
With 60% of the population under 25 years old Africa has the youngest population in the world and was a generation that had lost hope in a malaria free future. This made us realise that we needed to create a youth movement to effectively drive the much needed political action.
To engage African digital youth in the fight against malaria we injected the conversation into youth culture. Africa has become a powerful cultural voice with strong cultural leaders, so we asked them to lead the movement with the generation that will end malaria.
We created a visual language that allowed everyone to add their line to a collective message: The Muundo. The messages were further personalised with a modular headline: “Malaria, we’re too _____ for you”. The Muundo informed every element of this movement.
Tell the jury about type(s) of animation used and summarise any relevant challenges or techniques.
The animation film uses a mix of 3D and 2D animation, showing how the Muundo starts with a simple line on a body and grows into an expansive pattern that takes over the world. It symbolises the Zero Malaria movement that we’re creating where every person in the world can add their line to the collective statement against malaria. The film is the result of close collaboration between Nigerian born Laolu Senbanjo who taps into Yoruba heritage to create a contemporary line art and our 3D animation team who added another dimension to the artwork.