| Title | CHICHARRON RUN |
| Brand | UBISOFT |
| Product/Service | FAR CRY 6 |
| Category |
A01. Direction |
|
Entrant
|
DDB Paris, FRANCE
|
|
Idea Creation
|
DDB Paris, FRANCE
|
|
Production
|
STINK STUDIOS Paris, FRANCE
|
|
Production 2
|
IMPORTANT LOOKING PIRATES Stockholm, SWEDEN
|
|
Production 3
|
MACHINE SOUND LONDON, UNITED KINGDOM
|
Credits
| Alexander Kalchev |
DDB Paris |
Chief Creative Officer |
| Clara NOGUIER |
DDB Paris |
Art Director |
| Olivier LE LOSTEC |
DDB Paris |
Copywriter |
| Vincent Léorat |
DDB Paris |
Agency Supervisor |
| Mathieu BLIGUET |
DDB Paris |
Agency Supervisor |
| Tanguy MORTREUIL |
DDB Paris |
Agency Supervisor |
| Lena LIEUVIN |
DDB Paris |
Agency Supervisor |
| Arnaud TEXEREAU |
DDB Paris |
Agency Supervisor |
| Sébastien GENTY |
DDB Paris |
Planner |
| Corinne PERSCH |
DDB Paris |
Agency Producer |
| Gaëlle DE-POMPIGNAN |
DDB Paris |
Agency Producer |
| Gaëlle DE-POMPIGNAN |
DDB Paris |
Agency Producer |
| Geoffroy SARDIN |
Ubisoft |
Advertiser Supervisor |
| Lionel Hiller |
Ubisoft |
Advertiser Supervisor |
| Édouard D’ALNOIS |
Ubisoft |
Advertiser Supervisor |
| Julia CHOURGNOZ-VILLANO |
Ubisoft |
Advertiser Supervisor |
| Maxime GUERLUS |
Ubisoft |
Advertiser Supervisor |
| Baptiste RAMBAUD |
Ubisoft |
Advertiser Supervisor |
| Louis RAYNAUD |
Ubisoft |
Advertiser Supervisor |
| Arnault LE MAISTRE |
Ubisoft |
Advertiser Supervisor |
| Greg PANTEIX |
Stink |
Producer |
| Traktor - |
Stink |
Director |
| Cédric Boit |
DDB Paris |
Composer |
| Clément Reynaud |
DDB Paris |
Composer |
| Marine Cremer |
DDB Paris |
Music Supervisor |
| Mr Viktor - |
- |
Composer |
Write a short summary of what happens in the film
The films opens on an Tropical island called YARA, where a rooster is living his life. He’s suddenly captured and thrown in a cock fighting arena. But because Chicharron is not anykind of rooster, he rebels himself and attacks the commander who is betting on his death. This turn of events triggers a chase and a chain reaction across the city, opening on its path the civilians’ eyes oppressed by the regime. So as the chase escalates, the rebellion starts to rise and Dani, the heroin, assembles all of her guerilleros and meets in front of the dictactorial palace. The tension is at it’s stake, Anton Castillo, embodied by Giancarlo Esposito defies Dani before she launches the assault with Chicharrón in first line.
Tell the jury anything relevant about the direction. Do not name the director.
The film was originally written to be shot in live action, but when Covid-19 arrived we had to rethink it. The direction had to adapt to a new vision of the same script but in a total different way, in CGI. The idea was to keep the realism, the dust, the heat, the sweat and the organic feeling we could have if we had shot in real life and apply it to a CGI rendering. So we kept the steps of scouting and casting in order to feel this authenticity. The production went in Cuba to get references of streets, markets, people, textures and roosters so that we could be as close as reality. We also used motion capture for all first and second roles characters so that there gestures, look and feels could stick to this very typical environment.