Title | ALINE |
Brand | WES ANDERSON - SEARCHLIGHT PICTURES |
Product/Service | THE FRENCH DESPATCH |
Category |
B04. Animation |
Entrant
|
WETRANSFER Amsterdam, UNITED KINGDOM
|
Idea Creation
|
AMERICAN EMPRICIAL PICTURES New York, USA
|
Production
|
OPAL FILMS Paris, FRANCE
|
Additional Company
|
WETRANSFER Amsterdam, UNITED KINGDOM
|
Credits
Jarvis Cocker |
Jarvis Cocker |
Singer |
Javi Aznarez |
Javi Aznarez |
Illustrator & Animation |
Wes Anderson |
Wes Anderson |
Director |
Octavia Peissel |
Octavia Peissel |
Producer |
Arnau Sola |
Arnau Sola |
Animation Supervisor & Lead Animator & Lead Compositor |
Fernando Abaca |
Fernando Abaca |
Animator |
Libardo Bohorquez |
Libardo Bohorquez |
Animator |
Toni Sala |
Toni Sala |
Animator |
Julia Olivella |
Julia Olivella |
Colour Artist |
Miguel Angel Canillas |
Miguel Angel Canillas |
Colour Artist |
Alex Roca |
Alex Roca |
Post Production & Compositing |
Write a short summary of what happens in the film
As the world waited for the release of The French Dispatch, Wes Anderson gathered a small team together to make his first-ever music video to celebrate the feature film’s theme song, Aline.
As the film is made in homage to The New Yorker, the artist’s style needed to possess a faint whiff of the magazine’s aesthetic values.
Tell the jury about type(s) of animation used and summarise any relevant challenges or techniques.
Picture this: you’re an illustrator who prefers to work alone, quietly, in your studio, calmly drawing cartoons and answering briefs with pen and ink. Imagine then that you find yourself not only working flat out on what turns out to be a three-year-long collaboration with one of the most famous directors in the world, but also drawing live, on a film set, in front of said director and the entire crew of one of the most hotly anticipated cinematic releases of the decade.
Last year, during the making of Wes Anderson’s The French Dispatch, this situation became a reality for artist Javi Aznarez. When Wes was looking for an artist to work on the film, his co-producer Octavia Peissel suggested Javi. Wes was so taken with his work that he invited Javi to join the team in an illustration and artwork capacity.