Title | STOP VEO - TALKS |
Brand | STOP VEO |
Product/Service | STRONGER |
Category |
B01. Brand-led Education & Awareness |
Entrant
|
PUBLICIS CONSEIL Paris, FRANCE
|
Idea Creation
|
PUBLICIS CONSEIL Paris, FRANCE
|
Production
|
ICONOCLAST Paris, FRANCE
|
Post Production
|
PRODIGIOUS Paris, FRANCE
|
Additional Company
|
STOP VEO PLERIN, FRANCE
|
Credits
Marco Venturelli |
PUBLICIS CONSEIL |
President overseeing creativity |
Fabrice Delacourt |
PUBLICIS CONSEIL |
Creative Director |
Marc Rosier |
PUBLICIS CONSEIL |
Copywriter |
Jean-Marc Tramoni |
PUBLICIS CONSEIL |
Art Director |
Anne Dauvé |
PUBLICIS CONSEIL |
Account Manager |
Benjamin Auberdiac |
PUBLICIS CONSEIL |
Account Manager |
Céline Quelen |
StopVEO |
Client manager |
Vincent Dennery |
Fondation pour l'Enfance |
Client manager |
Domitille Laurens |
Iconoclast |
Producer |
Antoine de Bary |
Iconoclast |
Realisator |
Victor Seguin |
Iconoclast |
Director Of Photography |
Clemence Couten |
Iconoclast |
Production Director |
Melanie Jackson |
Iconoclast |
Production Director |
Ines Marty Monzon |
Iconoclast |
Head of decoration |
Yéléna dos Santos |
Poster / Prodigious |
Post Producer |
Sophie Garrel |
Poster / Prodigious |
Post Producer |
Franck-Hervé Marc |
Poster / Prodigious |
Post Producer |
Leo Gatelier |
Poster / Prodigious |
Film Editor |
Joel Tessonneau |
Prodigious |
Sound producer |
Olivier Vehert |
Prodigious |
Sound Engineer |
Emmanuel Rebaudengo |
Prodigious |
Sound designer |
Nicolas Besse |
Prodigious |
Sound Designer |
Dr Gilles Lazimi |
- |
Campaign coordinator |
Write a short summary of what happens in the film
Discovering several walls of the house smeared with children's drawings, a father gets angry and searches everywhere for his son, shouting his name: "Leo!" But when he finds him, he calms down immediately: lying on the floor, scribbling on the living room rug, Leo is a very muscular adult with a sinister air. His father takes a very soft voice to explain to him that the felt is very difficult to clean. Then he hands her a pad of paper explaining that it will be better if he draws on it because they can post his drawings on the walls. Leo stretches out his hand and, when he grabs the block, regains his childish build. He then resumes his doodles, but on the pad of paper. His father leaves quietly. Overprint: "What if we imagine that our children are stronger than us?"