#VICTORYPAGES: SOCIAL MEDIA HISTORY
Title | #VICTORYPAGES: SOCIAL MEDIA HISTORY |
Brand | RT |
Product/Service | DIGITAL MEDIA PROJECT |
Category |
G05. Cultural Insight |
Entrant
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RT CREATIVE LAB Moscow, RUSSIA
|
Idea Creation
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RT CREATIVE LAB Moscow, RUSSIA
|
Media Placement
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RT CREATIVE LAB Moscow, RUSSIA
|
PR
|
RT CREATIVE LAB Moscow, RUSSIA
|
Production
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RT CREATIVE LAB Moscow, RUSSIA
|
Post Production
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RT CREATIVE LAB Moscow, RUSSIA
|
Credits
Kirill Karnovich-Valua |
RT Creative Lab |
Creative Director |
Revaz Todua |
RT Creative Lab |
Art Director, Design, Video Edit |
Gleb Burashov |
RT Creative Lab |
Strategist, Social Media |
Ania Fedorova |
RT Creative Lab |
Producer |
Elena Medvedeva |
RT Creative Lab |
Producer |
Ivor Crotty |
RT Creative Lab |
Producer |
Ivan Fursov |
RT Creative Lab |
Researcher |
Lilly Kazakova |
RT Creative Lab |
PR, Producer |
Ekaterina Motyakina |
RT Creative Lab |
Producer |
Eldar Salamov |
RT Creative Lab |
Producer, Music and Sound Design, Video Edit |
Margo Tskhovrebova |
RT Creative Lab |
Manager |
Stuart Campbell |
N/A |
VR Artist |
Peter Bankov |
N/A |
Artist |
Valeria Fimina |
Phygitalism |
Project Manager |
Vladimir Ilic |
N/A |
VR Artist |
Maxim Makarychev |
N/A |
Music and Sound Design |
Alexey Rubischev |
Ceremony |
Motion Designer |
Georgy Sarsekov |
Plasticine PRO |
Drector |
Denis Semionov |
N/A |
Producer, Director, VR Artist |
Serge Serov |
RANEPA Design School |
Curator |
Rosie Summers |
N/A |
VR Artist |
Katerina Terekhova |
RANEPA Design School |
Art Director |
Ivan Yunitsky |
Phygitalism |
Project Manager |
Alexey Zakharov |
N/A |
Motion Design |
Peter Theremin |
N/A |
Theremin Player, Composer |
Why is this work relevant for Media?
Digital art is a modern and universal language that the youths fluently speak today. Therefore, we thought that on the 75th anniversary of the end of World War 2, it was important that we should try to talk about its legacy in the language of social networks and interactive cross-media storytelling. The objective behind the project is not only to commemorate the veterans using multiple digital media platforms but to also remind the world what a terrible price has been paid for the most deadly war in history.
Background
In Russia, Victory Day is among the most remarkable dates. Almost every family had ancestors who fought in the war. But the younger people are losing connection with this part of history. They say they feel alienated by "military parades and same-old approach in year-to-year TV celebrations". So we decided to give young Russians a chance to express themselves in digital art in the format of social networks and interactive media.
Describe the creative idea / insights (30% of vote)
#VictoryPages is the versatile social media documentary commemorating the 75th anniversary of the defeat of Nazi Germany. It is a story of Victory told by the young for the young, using the tools and language of digital media over five social networks, employing visual art, interactive formats, 3D animations, Virtual & Augmented realities and dynamic real-time storytelling. It pays tribute to all WW2 veterans and heroes who protected our future from the threat of Nazism. This educational project builds engaging narratives through social media and interactive formats to keep the legacy of our ancestors’ sacrifices alive. This large-scale project unites young artists, designers, animators, content creators who express their feelings and thoughts in the wake of the WW2 anniversary spreading anti-war messages in their own commemorative tribute.
Describe the strategy (20% of vote)
We worked with over a dozen different databases. Like the archive of 7,000+ family war-time letters (for Instagram Stories and 3D website), like military photo archives (used to create 3D content and animations), like St. Petersburg's History Museum where a unique collection of children’s war-time drawings is preserved (turned into VR animation series).
In our approach, we aimed to create a cross-platform digital project but with its unique style and voice. The key element to the visual identity is the specially designed #VictoryFont: a typeface compiled from hundreds of original historical inscriptions left by soldiers on the Reichstag walls in 1945. Behind each font character, there is a real letter, hand-written by soldiers 75 years ago. The project also features an original soundtrack with a duration of several hours, composed by a diverse line-up of emerging young artists. Each music piece is created for a certain part of the project.
Describe the execution (20% of vote)
#VictoryPages showcases content exclusively published on a designated platform across 5 social networks. On Facebook, young designers and digital artists present their tribute featuring poster-art, colorization, VR-animation, 3D photos, documentary video sketches. Instagram is dedicated to war-time letters. It hosts a unique graphic series featuring hundreds of excerpts from original letters with illustrations created by young design students shared line-by-line in Stories. Twitter runs the most detailed chronology of the last months of the war in "real-time". Daily "breaking" reports from the front, operational orders, real newspaper articles, rare images recreate events through dynamic storytelling as if Twitter existed during the war. A travel YouTube documentary explores modern anti-war street art in Europe and the history of graffiti left by soldiers on Reichstag walls in 1945. VK.com podcast offers an audio experience that gives a fresh take on the legacy of World War 2 as heard by the young generations.
List the results (30% of vote)
#VictoryPages generated more than 35 million impressions, 250,000 engagements, over 50,000 followers, 4,000,000 video views (800,000 minutes of watch time) and over 200 media publications. #VictoryPages expanded the reach by also going offline as a large-scale exhibition was held in 12 main parks in Moscow. Over 250 unique posters were specially created for this out-of-home experience which also had an interactive element - many of the posters could be brought to life through a special AR App. Tens of thousands of park-goers interacted with the project and had a chance to watch the static images turn into animated musical shorts. Different elements of the project have also been recognized at many international digital creativity festivals, film festivals, and "social good" awards such as "the Internet's highest honor" Webby/Lovie Awards, Vancouver International Film Festival, 42nd News & Documentary Emmy Awards, Shorty Social Good Award, and VR Awards (for social impact).
Please tell us about the cultural insight that inspired the work
For the past decades, the narrative in Russian media around Victory Day celebrations mostly focused on military parades. Today many young people say they are not interested in learning about the war and feel disconnected from the subject because of that. So we aimed to approach this subject like it was never approached before in Russia.
We designed #VictoryPages to become the first-ever large-scale multi-platform “digital memorial” to WW2. A project which gives young Russians a platform to express themselves in a format of new media and digital art. A project which adapts new technologies (such as Mixed Reality, mobile experiences, computer animations) while approaching such a complex history subject. A project which shows that if we trust younger people more in expressing themselves (even on such sensitive topics), then history will come to life through their creative hearts and minds in a new form and from a new angle.