Title | HATE COUTURE |
Brand | DIESEL |
Product/Service | CLOTHES |
Category |
E05. Use of Licenced or Adapted Music for a Brand or Campaign |
Entrant
|
PUBLICIS ITALY Milan, ITALY
|
Idea Creation
|
PUBLICIS ITALY Milan, ITALY
|
Production
|
STINK STUDIOS New York, USA
|
Production 2
|
MILL+ New York, USA
|
Production 3
|
MPC LONDON, UNITED KINGDOM
|
Additional Company
|
SIZZER AMSTERDAM, THE NETHERLANDS
|
Credits
Bruno Bertelli |
Publicis Italy |
Global Chief Creative Officer Publicis WW & CEO Publicis Italy |
Cristiana Boccassini |
Publicis Italy |
Chief Creative Officer Publicis Italy |
Thiago Cruz/Mihnea Gheorghiu |
Publicis Italy |
Creative Director |
Simone Di Laus |
Publicis Italy |
Associate Creative Director |
James Andrews/Anton Kuerschner |
Publicis Italy |
Copywriter |
Alex Eftimie |
Publicis Italy |
Junior Art Director |
Bela Ziemann/Monica Radulescu |
Publicis Italy |
Planning |
Francesca Zazzera/Marijana Vukomanovic |
Publicis Italy |
Production |
Caterina Collesano |
Publicis Italy |
Art Buyer |
Gianluca Chinnici |
Publicis Italy |
Corporate Designer |
Eleni Charakleia/Barbara Pusca |
Publicis Italy |
International Client Service Director |
Filippo D’Andrea |
Publicis Italy |
Account Supervisor |
Stefano Perazzo |
Publicis Italy |
Head of Social |
Doina Tatu |
Publicis Italy |
Social Media Manager |
Jovan Todorovic |
Stink |
Director |
Blake Powell |
Blink |
Executive Producer & Partner |
Natalie Jacobson |
Stink |
Producer |
Christophe Collette |
Stink |
DOP |
Vitali Gelwich |
Stink |
Head of Photography |
Milena Petrovic |
Milena Petrovic |
Editor |
Samuele Schiavo |
Prodigious Italy |
Editor |
Mikey Rossiter |
The Mill New York |
Colourist |
Evan Bauer |
The Mill New York |
Colour Producer |
Edward Taylor/George Brunt/Alex Snookes/Lucie Brant |
MPC London |
VFX Artists |
Morten Vinther |
MPC London |
DMP Artist |
Abhinav Sharda/Salil Thapa/Uday Veerapalli/Prasanth Palaparthi/Shyam Babu/Yoki |
MPC London |
Prep Team |
Michael Bertoldini |
Sizzer |
Music Supervisor |
Seppl Kretz/Michiel Marsman |
Sizzer |
Executive Music Producers |
Jo Sandow/Marcel Wiebenga |
Sizzer |
Creative Strategy |
Ilana Goldstoff/Stefano Binotto |
Sizzer |
Sync & Licensing |
Why is this work relevant for Entertainment?
Diesel Hate Couture is more than a campaign. It’s a collection that combines message, content, influencers and customization. At its core this idea is about making entertainment out of something that is the opposite of entertaining. In addition, our use of celebrities and influencers, as well as music was specifically geared towards being something that entertains first. It’s a way of flipping online hate on its head; turning negativity into something to be celebrated, and something destructive into something creative.
Background
Diesel is well known for its irreverent and ironic approach to life. Recently the brand has tackled the beauty standards, the fashion industry and even fashion knockoffs. We didn’t just need to come up with a new campaign promoting Diesel’s latest collection, and we didn’t just need to be lighthearted or frivolous. We needed to define a new enemy for the brand. And then, we needed to show the world how to deal with this enemy in a totally ironic way.
Describe the creative idea
At one point or another, we have all been victims of trolls, cyber bullies and online haters. But, when you expose online hate with irony and light-heartedness, you disarm that online hate. It loses its ability to cause harm. Our idea was to turn Diesel’s latest collection into a tool for doing just that: exposing, mocking and ultimately disarming online hate. It’s an idea we call Hate Couture. Each item in the Hate Couture collection is not just a cool piece of Diesel fashion, it’s an opportunity to proudly expose and wear the online hate you have received. And it’s a reminder that the more hate you wear, the less you care.
Describe the strategy
Diesel has always stood for bravery. For them it is the key to successful living. And that has always involved challenging society’s biggest conformities. In this case the conformity is to hide the online hate and negativity that we all receive. But, only by challenging that conformity, by exposing the online hate, are we able to truly disempower and get rid of it.
Describe the execution
To launch Hate Couture we partnered with nine celebrities and influencers. We created unique Diesel items inspired by the online hate that each of our partners has received; and we introduced this collection with online content that joyfully and ironically celebrates these hateful comments. To really bring the joy, celebration and irony to life, we re-orchestrated the famous Marilyn Monroe song “I Wanna Be Loved By You”, introducing Caribbean flavours to the already joyful song even more upbeat. The performances in our film were choreographed to this new track. And then, our film was seeded online by the celebrities and influencers that star in it. Finally, we even released our new version the song on Spotify.
Describe the outcome
We sold 35% of the entire collection in the first 4 days of the campaign, online and in-store. In total our campaign reached more than 400 million people, and the story was covered by The New Yorker, WWD, VOGUE, I-D Vice, People Magazine, just to name a few. Our film was viewed more than 40 million times only in the first 10 days of the campaign. We sparked hundreds of thousands of debates and discussions around the topic of online hate. And, ultimately we initiated the successful disempowerment of countless hateful comments on social media.