WORLD CUP - HISTORY WILL BE MADE
Title | WORLD CUP - HISTORY WILL BE MADE |
Brand | BBC ONE |
Product/Service | WORLD CUP |
Entrant
|
BBC CREATIVE London, UNITED KINGDOM
|
Idea Creation
|
BBC CREATIVE London, UNITED KINGDOM
|
Production
|
BLINKINK London, UNITED KINGDOM
|
Credits
Laurent Simon |
BBC Creative |
ECD |
Aidan McClure |
BBC Creative |
ECD |
Mike Lean |
BBC Creative |
Head of Planning |
James Cross |
BBC Creative |
Creative Head |
Tim Jones |
BBC Creative |
Creative Head |
Xander Hart |
BBC Creative |
Creative Art Director |
Edward Usher |
BBC Creative |
Creative Copywriter |
Liz Dolan |
BBC Creative |
Producer |
Loretta Ramkissoon |
BBC Creative |
Project Manager |
Emma Hamilton |
BBC Creative |
Production Coordinator |
Laurence Honderick |
BBC Creative |
Creative Head - Design |
Nicos Livesy |
Blinkink |
Director |
Alex Halley |
Blinkink |
Producer |
Bart Yates |
Blinkink |
Executive Producer |
The Line |
The Line |
2D Animation |
LES |
LES |
Embroidery |
James Parry |
BBC |
BBC Sport, Portfolio Head of Marketing |
Why is this work relevant for Integrated?
The campaign consisted of many different executions around the central idea of History
Will Be Made, which included a launch film, digital, radio, social, print, outdoor and even a
7 metre long embroidered tapestry that now hangs in the National Football Museum
museum.
Background
The World Cup is a defining moment in any year. We had the opportunity to bring the
nation together around unforgettable moments. And so our brief was simple. To bring as
many people to the our World Cup coverage and to demonstrate how the our channels are
where people come together to witness big event TV. We aimed to make the 2018 FIFA
World Cup an experience that couldn’t be missed.
Describe the creative idea
There’s not much more important than the FIFA World Cup. Throughout history, tapestries
have been used to record events of great importance - Russia being no exception. The
country’s tapestries are some of the most intricate in the world. So to promote our
coverage of the upcoming tournament, we revived and modernised the ancient technique
of tapestry embroidery. We created an animated film in which every frame was itself
embroidered, a feat never before achieved at this scale and level of detail. We paid our
respects to a time-honoured tradition, and pushed the boundaries of animation (and
embroidery) in the process. We also created a 7 metre long tapestry depicting famous
World Cup moments throughout history, which currently hangs in the National Football
Museum, which has been visited by thousands of football fans in both England and
Russia.
Describe the strategy
Our audience insight told us that while the football lovers would always come to the World
Cup, we needed to appeal to an audience who don’t care so much about football - they
care about events that they can’t bear to miss out on. So our creative audience became
these ‘Main Eventers’. And our strategy was to show that the World Cup is the biggest
cultural event of the year. Its significance can’t be underestimated. Countries hold their
collective breath and wallcharts become the wallpaper of the summer. Because the
moments of a World Cup are moments of history. Seared into the cultural consciousness,
iconic moments of hope, despair, brilliance and glory stay in the public imagination for
decades to come. The World Cup means the world.
Describe the execution
The campaign launched with a 60 second spot that literally showed history being made, as
an ancient machine wove an intricate tapestry. This launch spot was followed by a
design-led campaign that wove the campaign idea through digital and social. As goals
went in, and history was made, we responded with ‘embroidered’ tweets. We advertised
each round of games in similar fashion, with short TV spots in same embroidered style.
Concurrently, a 7-metre long real tapestry featuring iconic World Cup moments was hung
in the National Football Museum in Manchester. After the tournament ended, we went
back to the tapestry and extended it, adding the best moments from the Russian
tournament, creating a lasting historical record of the tournament some are describing as
the best ever.
List the results
Our campaign generated thousands of online articles, as well as many more in print. Our
launch film gained over a million views online in the first few days, as well as reaching an
audience of around 9 million on air. The launch film trended on Reddit, YouTube, and
Twitter.
We received and granted a request to loan the tapestry from the National Museum in
Moscow. Over the course our campaign, a total of 44.5 million people tuned in to the our
television coverage. Additionally, there was a record 66.8 million match requests to our
website and online player. The campaign also helped us achieve our highest
online-viewed live programme in history, with 3.8 million tuning in to watch England’s
quarter final against Sweden. Meanwhile, our website brought in a record 49.2 million
unique UK browsers for the tournament, an increase of 16.9 million from the 2014
competition.