GETTY IMAGES AND FIFTYFIFTY (MAGAZINE FROM HOMELESS PEOPLE)
Product/Service
REPICTURING HOMELESS
Category
B03. Web Service / App
Entrant
HAVAS GERMANY, GERMANY
Idea Creation
HAVAS GERMANY, GERMANY
Media Placement
HAVAS GERMANY, GERMANY
PR
HAVAS GERMANY, GERMANY
Production
CHAMAELEON DIGITAL VISION Düsseldorf, GERMANY
Production 2
STUDIO FUNK Düsseldorf, GERMANY
Additional Company
MONA DAVIS BEAT Berlin, GERMANY
Additional Company 2
NINA KLEIN ARTIST MANAGEMENT Berlin, GERMANY
Credits
Name
Company
Position
Eric Schoeffler
Havas Germany
Chief Creative Officer
Darren Richardson
Havas Düsseldorf
Chief Creative Officer
Juan Leguizamon
Havas Düsseldorf
Creative Director
Tiago Beltrame
Havas Düsseldorf
Art Director
Nian He
Havas Düsseldorf
Copywriter
Daniel Grube
Havas Düsseldorf
Management Supervisor
Anna Berg
Havas Düsseldorf
Senior Account Manager
Julian Dormis
Havas Düsseldorf, Studio6
Producer
Dominic Rutkowski
Havas Düsseldorf, Studio6
Junior Art Director Motion
Guido Eichhoff
Havas Düsseldorf
Digital Creative Director
Erik Teichert
Havas Düsseldorf
Digital Conceptor
Adrian Warren
Havas Düsseldorf
Digital Art Director
Peter Holzportz
Havas Düsseldorf
Head of Digital Print Service
David Ochsenknecht, Jonas Boamah
Havas Düsseldorf
Final Art Work
Frank Schemmann
Das Studio
Photographer
Oliver Rudolph
Chamaeleon Digital Vision
Managing Director
Kevin Krefta
Chamaeleon Digital Vision
Director
Christian Käutner
Chamaeleon Digital Vision
Producer
Nico Dupon, Rouben Pohl, Kai Wittkamp
Chamaeleon Digital Vision
Editor
Ronny Bülow, Hendrik Vosskamp
Chamaeleon Digital Vision
Motion Graphics
Arne Hottgenroth
Chamaeleon Digital Vision
Colorist
Tobias Grumbach
Studio Funk
Studio Manager
Michael Righetti
Studio Funk
Sound Engineer
Stefanie Schneider
Studio Funk
Project Manager
Stephen Hudson
Studio Funk
Voice Over
Barbara Lange, Tina Schmoll, Franziska Sonnabend
Nina Klein Artist Management
Hair & Make-up Artist
Nina Jasny, Christina Schuller
Nina Klein Artist Management
Styling
Franco Tortora, Woepf Lechenmayr, Tom Batoy, Raffael Karg
Mona Davis Beat GmbH
Composer
Background
People always see homeless people as poor, desperate, and beyond help. Most existing homeless campaigns simply keep re-affirming such stereotypical images, and ask people to donate out of sympathy, which only marginalized this community even more.
Instead of following down the spiral of pity, this campaign is aimed to challenge people’s prejudiced beliefs, and drive a different narrative for the homeless, by putting homeless people’s hope and possibilities under the spotlight.
At the same time, the project also has the purpose of raising funds for the homeless community in a meaningful way.
Describe the strategy
Stock photos are abundant with typical scenarios of common people. We took advantage of this feature of this medium, to help people “repicture” the homeless as the same human beings as anyone of us.
This move could also make people realize that stock photos not only create but also can break stereotypes, and thus shifting people’s perceptions of Getty Images.
With the smart use of stock images, we created a new web service on the basis of an established e-commerce business, which served both as an innovative communication channel, and as a constant fundraising tool over the long term.
To make our photos more targeted and relevant for stock image users, we analyzed the search and download data on Getty Images over the last year, and created the collection based on the most popular photo scenarios, which is instrumental in gaining more downloads and raising more funds.
Describe the execution
We released the collection online in January 2018, and tagged the photos separately, targeting users with different image needs. These images are purchasable for people worldwide on gettyimages.com and istockphoto.com.
Meanwhile, a microsite was launched, as a categorized portal of all images, and a project hub that leads people to explore the initiative.
While Getty Images began to promote our photos in their newsletter to the user community every month, we were spreading the project through various mediums: online films, social media posts across all platforms, a print campaign on fiftyfifty, a TVC on n-tv, cinema advertising across Düsseldorf, plus photo exhibitions around Germany.
This project started as an initiative in Germany, but more and more photographers and homeless NGOs all over the world are joining us. Growing numbers of photos are being added to the collection from US, Hong Kong, Brazil, etc., turning the project into a global movement.
List the results
With over 155 million reach, and more than € 1.4 million equivalent of earned media, we are driving a narrative of hope and possibilities for the homeless community. The shift of public perceptions, and the change in the way people talk about the homeless, have been evidently reflected in the media coverage and people’s online discussion about our photos.
Up until now, the project has generated over € 50K donations in total for fiftyfifty. Brands such as Lufthansa Insurance started to purchase images from the collection for commercial uses. The number is still climbing, with stock photography as a constant fundraising tool over the long term.
On the other hand, the awareness of Getty Images as a brand striving to shape perceptions and move the world with powerful imagery has also remarkably gone up among the general public.